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  1. Sep 23, 2009 · Immediately before it, the movie begins anew when we cut to the sign that says 'Cape Fear'. I think it's best if you see my version and the original Cape Fear as well, maybe a week apart. There are many threads running between the films, with Gregory Peck and Robert Mitchum and Martin Balsam, Bernard Herrmann's music, and Saul and Elaine Bass ...

  2. Jun 10, 2012 · More so than most remakes, Cape Fear ‘91 is in dialogue with its predecessor. Scorsese’s curious decision to recycle the original Bernard Herrmann score pays off handsomely, enhancing the heightened atmosphere and sensually linking the film not only to the 1962 version but to a bygone tradition of thrillers represented by Herrmann’s ...

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  4. Scorsese's version was better for me. DeNiro brought a level of anxiety to the film I struggled to cope with back in 91/92. I watched it again a week or so ago with my son and it still makes me uncomfortable.

  5. Discussion. Which is the better movie: The 1962 Cape Fear with Gregory Peck, Robert Mitchum, and Polly Bergen or the 1991 Cape Fear with Robert De Niro, Nick Nolte, and Jessica Lange? One thing I do love about the remake is that Gregory Peck and Robert Mitchum both appear in supporting roles.

  6. Question - Which version of Cape Fear should I watch? Me and my partner have settled on watching Cape Fear, but can't decide which version to watch? Any suggestions from those who have seen either or both? And I don't want some "watch the original cuz it's the original" fluff.

  7. May 15, 2022 · Cape Fear reveals itself as Martin Scorsese's best horror movie because of the way that it disguises itself as a thriller that slowly unveils its horror elements. The themes of the film are undeniably terrifying; lawyer Sam Bowden (Nick Nolte) is being harassed by his former client Max Cady, a criminal who was incarcerated for 14 years for the ...

  8. Mar 27, 2021 · Martin Scorsese’s “Cape Fear” is a remake of a good movie, the 1962 Robert Mitchum/Gregory Peck thriller of the same name, and it’s better than the original. The 1991 film begins with a roaring Bernard Herrmann score (faithfully recreated by Elmer Bernstein), an opening title credits sequence by Saul and Elaine Bass and shimmery imagery ...

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