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Mean Streets is a 1973 American crime drama film directed by Martin Scorsese, co-written by Scorsese and Mardik Martin, and starring Robert De Niro and Harvey Keitel. It was produced by Warner Bros. The film premiered at the New York Film Festival on October 2, 1973, and was released on October 14. [3]
- $500,000
- Jonathan T. Taplin
- October 14, 1973
Oct 14, 1973 · Mean Streets: Directed by Martin Scorsese. With Robert De Niro, Harvey Keitel, David Proval, Amy Robinson. In New York City's Little Italy, a devoutly Catholic mobster must reconcile his desire for power, his feelings for his epileptic lover, and his devotion to his troublesome friend.
- (116K)
- Crime, Drama, Thriller
- Martin Scorsese
- 1973-10-14
Dec 31, 2003 · Seen after 25 years, “Mean Streets” is a little creaky at times; this is an early film by a director who was still learning, and who learned so fast that by 1976 he would be ready to make “Taxi Driver,” one of the greatest films of all time, also with De Niro and Keitel.
Oct 3, 2023 · Mean Streets is more of a slice of life, drawn from stories Scorsese seems to have heard or witnessed during his formative years as an asthmatic kid growing up on the third floor of tenement ...
- 4 min
- Scott Tobias
When Charlie's uncle Giovanni offers him a restaurant - the first step up the ladder - Charlie is forced to choose between his desire for power, his love for Teresa and his duty to protect his friend Johnny Boy. — alfiehitchie. Italian-American Charlie, who lives in the Little Italy neighborhood of New York City, leads a conflicted life.
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Oct 14, 1973 · Directed by Martin Scorsese. Genres - Drama, Crime, Thriller | Sub-Genres - Urban Drama, Coming-of-Age, Crime Drama, Gangster Film | Release Date - Oct 14, 1973 (USA) | Run Time - 110 min. | Countries - United States | MPAA Rating - R. AllMovie Rating. 10.
Scorsese got the same feel in his first feature, “Who’s That Knocking at My Door?” (1967). “Mean Streets” is a sequel, and Scorsese gives us the same leading actor ( Harvey Keitel) to assure the continuity. In the earlier film, he was still on the edge of life, of sex, of violence. Now he has been plunged in, and he isn’t equal to ...
