Search results
Oil on walnut panel. Subject. Cecilia Gallerani. Dimensions. 54 cm × 39 cm (21 in × 15 in) Location. Czartoryski Museum, Kraków, Poland. The Lady with an Ermine [n 1] is a portrait painting widely attributed to the Italian Renaissance artist Leonardo da Vinci. Dated to c. 1489–1491, the work is painted in oils on a panel of walnut wood.
Cecilia Gallerani (Italian pronunciation: [tʃeˈtʃiːlja ɡalleˈraːni]; early 1473 – 1536) was the favourite and most celebrated of the many mistresses of Ludovico Sforza, known as Lodovico il Moro, Duke of Milan. She is best known as the subject of Leonardo da Vinci's painting The Lady with an Ermine (circa 1489).
- (by Ludovico Sforza): Cesare Sforza Visconti, (by Ludovico Carminati de' Brambilla): 4 children
People also ask
Who is Lady with an ermine?
Did Leonardo da Vinci paint Lady with an ermine?
Who is Cecilia Gallerani in the lady with an ermine?
Why is Leonardo da Vinci called the ermine?
Nov 17, 2022 · Lady With an Ermine (c. 1489 – 1491) by Leonardo da Vinci in Context. Below, we will look at the Lady With an Ermine analysis, discussing who the lady holding a ferret is as well as why Leonardo da Vinci painted it.
- Alicia du Plessis
- Leonardo da Vinci (1452-1519)
- ( Author And Art History Expert )
- c. 1489-1491
In painting “The Lady with an Ermine”, da Vinci created the first modern portrait in the history of art, surpassing the traditions of the time. It was also one of just four portraits of...
Mar 17, 2024 · Art History. Leonardo’s ‘Lady With an Ermine’ Is a Riddle of Love and Power—Here Are 3 of Its Secrets. We took a closer look at this enigmatic portrait of Cecilia Gallerani, the mistress of the Duke of Milan. Leonardo da Vinci, Lady with an Ermine (1489–1491). Collection of the Czartoryski Museum, Kraków, Poland. by Karen Chernick March 17, 2024.
Jul 4, 2021 · Leonardo da Vinci, “Lady with an Ermine,” c. 1489-91. (Photo: Public Domain, via Wikimedia Commons .) Many observers of the painting have pointed out that the white ermine is too large to be anatomically accurate; this would be an unusual mistake for an artist and scientist like Da Vinci, who was a great admirer of wildlife.
