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talking-heads.nl / New Wave: Top 10 Bands of All Time. New Wave was a catchall term for new bands in the late ’70s and early to mid ’80s. Like rock ‘n’ roll, there were no rules and it didn’t have a distinct “sound.” It seemed like anything new was considered New Wave even if it wasn’t, and plenty of bands scoffed at the term.
- Culture Club. The band’s debut single “Do You Really Want to Hurt Me” was praised by critics and fans alike. However, the video puzzled the majority of us as it was unclear if the singer was a man or a woman.
- Echo and the Bunnymen. While they began with a cult following, Echo and the Bunnymen have gained mainstream status as they continue to record and tour nearly four decades after they formed.
- Talking Heads and New Wave. With a mix of worldbeat, post punk, art punk and funk, the Talking Heads were one of the most famous new wave bands to come out of the New York scene of the late ’70s.
- INXS. With a pleasant play on words, INXS rose to the top in the early 80’s with their sophomore release Shabooh Shoobah,which housed their breakout single, “The One Thing.”
New wave is a broad music genre that encompasses numerous pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the music that emerged after punk rock, including punk itself, but may be viewed retrospectively as a more accessible counterpart of post-punk.
Nov 26, 2019 · There were many wave music bands in the early ’80s that had their own style of music, lyrics. Some of the creators of the new wave bands in the early ‘80s include Duran Duran, The Cure, INXS, The Smiths. These new wave bands were very popular during the ‘80s and can easily be considered as the new wave band start albums of the golden era.
There were edgy new wave songwriters like Elvis Costello, pop bands like Squeeze, tough rock & rollers like the Pretenders, pop-reggae like the Police, mainstream rockers like the Cars, and ska revivalists like the Specials and Madness.
- The Cars. One of the original and most musically balanced torchbearers for the new wave style, the Cars both exemplified and defined new wave with their sweeping, accessible sound.
- Talking Heads. Almost all of the early New York City punk rock bands would ultimately take on the new wave descriptor, which is actually rather appropriate given the array of experimental styles found in that city's mid-'70s scene.
- Elvis Costello. A common characteristic of the most enduring artists of the new wave era, perhaps by necessity, is an overriding versatility and searching needs to test the boundaries of what pop music had to offer.
- The Police. The proximity of the Police to the punk rock revolution in England may have had as much to do with the band's inclusion in the new wave category as its reggae-inflected sound, but the trio certainly reflected the variety ultimately housed within the genre.
In Britain new wave was led by clever singer-songwriters such as pub rock veterans Nick Lowe, Graham Parker, and Elvis Costello; Squeeze and XTC, whose songs were sophisticated and infectious; ska revivalists such as Madness and the Specials; genre-hopping Joe Jackson; synthesizer bands such as Human League, Heaven 17, and A Flock of Seagulls; and the so-called New Romantics, including the cosmetics-wearing Duran Duran, Adam and the Ants, and Culture Club.
- Elvis Costello, ‘My Aim is True’ Melding the swagger of 1950s rock’n’roll with the raw energy of punk, Elvis Costello’s 1977 debut encapsulates the spirit of new wave.
- Television, ‘Marquee Moon’ (1977) Advertisement. Along with the Ramones and Blondie, Television made their name playing at the New York dive venue CBGB – and from the beginning they stuck out from the crowd they ran in.
- The Cars, ‘The Cars’ (1978) The Cars’ first single ‘Just What I Needed’ name-checked both the Velvet Underground (the lyric “wasting all my time-time” references their song ‘Sister Ray’) and bubblegum outfit Ohio Express – and it’s indicative of the group’s approach as a whole.
- Blondie, ‘Parallel Lines’ (1978) Pre-’Parallel Lines’, Blondie were possibly New York City’s most tuneful punks, embracing everything from doo-woppy French yé-yé and 60s pop to the rhythmic pulse of disco.