Simon Baker
Riley
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Land of the Dead (also known as George A. Romero's Land of the Dead) is a 2005 post-apocalyptic horror film written and directed by George A. Romero; the fourth of Romero's six Living Dead movies, it is preceded by Night of the Living Dead, Dawn of the Dead and Day of the Dead, and succeeded by Diary of the Dead and Survival of the Dead. [3]
- $46.8 million
- $15–19 million
Jun 24, 2005 · Land of the Dead: Directed by George A. Romero. With Simon Baker, John Leguizamo, Dennis Hopper, Asia Argento. The living dead have taken over the world, and the last humans live in a walled city to protect themselves as they come to grips with the situation.
- (99K)
- Horror, Sci-Fi, Thriller
- George A. Romero
- 2005-06-24
Jun 24, 2005 · In a world where zombies form the majority of the population, the remaining humans build a feudal society away from the undead. Ruthless Paul Kaufman (Dennis Hopper) rules and protects this ...
- (6.2K)
- George A. Romero
- R
- Simon Baker
Jun 23, 2005 · In the future world of "George A. Romero's Land of the Dead," both zombies and their victims have started to evolve. The zombies don't simply shuffle around mindlessly, eating people. And the healthy humans don't simply shoot them. The zombies have learned to communicate on a rudimentary level, to make plans, however murky, and to learn from ...
The last remnants of the human race live inside a walled city as they come to grips with the situation. The wealthy live in sealed skyscrapers as the poor fend for themselves on the streets. Protecting them is an enormous tank called Dead Reckoning, controlled by a group of people led by Riley.
Apr 5, 2021 · Land of the Dead makes an interesting choice here—years have apparently passed, and it depicts a setting where humanity has seemingly clawed its way back from the brink, at least in some ...
Jun 24, 2005 · Premiere. Land of the Dead is Romero's long-awaited masterpiece, a slyly suspenseful and droll thrill-ride that expounds on both the highbrow and the chewed-off-brow concepts of his previous trilogy, then flippantly dismisses the cheap scare tactics of the control-pad generation's gimmicky genre knockoffs. Read More.
