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Ray Nazarro made quite an impact on the film industry by directing some memorable films. Nazarro directed a variety of independent films at the beginning of his Hollywood career, working on such titles as "Last Days of Boot Hill" (1947), "Law of the Canyon" (1947) and the Charles Starrett...
Boston-born Ray Nazarro began his movie career in the silent-film era, where he often worked as an assistant director. He started his directing career in 1932, beginning with shorts and graduating to low-budget quickie features for Poverty Row studios.
- Ray Nazarro
- September 8, 1986
- September 25, 1902
Sep 22, 2020 · Ray himself has spoken of the formative impact of Zavattini and De Sica’s Bicycle Thieves (1948) on his own Pather Panchali (1955)—a stylistic and thematic influence evident even later in ...
- Ara H. Merjian
Boston-born Ray Nazarro began his movie career in the silent-film era, where he often worked as an assistant director. He started his directing career in 1932, beginning with shorts and graduating to low-budget quickie features for Poverty Row studios.
- September 25, 1902
- September 8, 1986
Ray Nazarro (aka "Ray" and "Nat;" né Raymond Alfred Nazarro; September 25, 1902 – September 8, 1986) was an American film and television director, producer, and screenwriter. Budd Boetticher called him a "ten-day picture guy."
The third aspect of the film’s importance stems from Jaws’s virtually undebatable impact on the American film industry. It’s been universally acknowledged that this particular film heralded the new era of blockbuster filmmaking.
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Ray Nazarro made quite an impact on the film industry by directing some memorable films. Nazarro directed a variety of independent films at the beginning of his Hollywood career, working on such titles as "Last Days of Boot Hill" (1947), "Law of the Canyon" (1947) and the Charles Starrett western "West of Dodge City" (1947).
