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- He is known for his groundbreaking work in electronic music, having been called the "father of electronic music", for introducing controlled chance (aleatory techniques) into serial composition, and for musical spatialization.
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Nov 16, 2017 · Some of his earliest works – ‘Gruppen for three orchestras’ (1955-57), ‘Stimmung’ (1968), or ‘Momente’ (1962-69) as immediate examples – are revered as masterpieces to the present day. But it could be politely put, that in his later years, long-held ‘eccentricities’ finally overshadowed his work.
- Jack Needham
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2008 On 10 October, the Studio for Electronic Music of the Royal Conservatory of The Hague in the Netherlands changed its name to Karlheinz Stockhausen Studio; [261] [262] 2009 German Music Publishers Society Award for the score of Momente for solo soprano, four choral groups, and 13 instrumentalists; [ 56 ]
Dec 29, 2021 · Karlheinz Stockhausen (1928 – 2007) is recognized as one of the most important classical composers of the 20th century, for his works and for his influence on both classical and popular musicians. in this lecture, Stockhausen explains his Four Criteria of Electronic Music, and why new music matters: “New means change the method; new methods ...
But, in the history of Western music, very few composers have made significant, far-reaching changes to the way music is composed, performed and heard, and Karlheinz Stockhausen is one of those few. His work has had a profound impact on the very idea of music: what it is, how it is made, its nature and its purpose.
Karlheinz Stockhausen, the great German composer who envisioned music as a force of cosmic revolution and who himself became a musical force of nature, having an unprecedented impact on both...
Stockhausen had his first breakthrough in 1951 at the legendary Darmstadt Summer Course for New Music, with the first performance of his debut work, Kreuzspiel: a composition for oboe, bass...
In 1951 Stockhausen attended the avant-garde music summer school at Darmstadt, where he discovered the music of Messiaen. Attracted by the Frenchman’s experiments in timbre and rhythm, he travelled to Paris, studying in Messiaen’s composition classes.
