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- And like Stranger, Dead Man is filmed in black and white, with each sequence separated by blackouts, as if they were verses of a poem or songs on an album, and almost every blackout is rhythmically marked by one of Neil Young’s ominous electric-guitar riffs.
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Dead Man. With Dead Man, his first period piece, Jim Jarmusch imagined the nineteenth-century American West as an existential wasteland, delivering a surreal reckoning with the ravages of industrialization, the country’s legacy of violence and prejudice, and the natural cycle of life and death.
- William Blake
May 4, 2018 · And like Stranger, Dead Man is filmed in black and white, with each sequence separated by blackouts, as if they were verses of a poem or songs on an album, and almost every blackout is rhythmically marked by one of Neil Young’s ominous electric-guitar riffs.
May 30, 1995 · Distinctively shot in black-and-white by Robby Muller on diverse locations in Arizona, Nevada, Oregon and California, “Dead Man” looks and sounds like no other Western in memory.
Circumstances transform a mild-mannered accountant (Johnny Depp) into a notorious Old West gunslinger.
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- Jim Jarmusch
- R
- Johnny Depp
Dead Man is an undeniably strange movie, and sometimes it's hard to figure out what to make of it. Filmed in black-and-white with an eerie score by Neil Young, and using contemporary dialogue and mannerisms, Jarmusch's picture has a dream-like quality.
- Jim Jarmusch
- R
- Johnny Depp
Apr 19, 2018 · Synopsis. With Dead Man, his first period piece, Jim Jarmusch imagined the nineteenth-century American West as an existential wasteland, delivering a surreal reckoning with the ravages of industrialization, the country’s legacy of violence and prejudice, and the natural cycle of life and death.
Featuring austerely beautiful black-and-white photography by Robby Müller and a live-wire score by Neil Young, DEAD MAN is a profound and unique revision of the western genre.
