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1. www.rogerebert.com › reviews › in-a-lonely-place-1950In a Lonely Place movie review (1950) | Roger Ebert

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   Aug 13, 2009 · "In a Lonely Place" has been described by the critic Kim Morgan as "one of the most heartbreaking love stories ever committed to film," and love is indeed what it's really about.

2. www.criterion.com › current › postsIn a Lonely Place: An Epitaph for Love - The Criterion Collection

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   May 10, 2016 · The scene is indeed about something besides love: it’s about love strained to the breaking point by lack of trust. When he proposes to her, in the same scene, the exchange might belong to a deft romantic comedy.

3. People also ask

   Is 'in a lonely place' really about love?

   • "In a Lonely Place" has been described by the critic Kim Morgan as "one of the most heartbreaking love stories ever committed to film," and love is indeed what it's really about.

   In a Lonely Place movie review (1950) | Roger Ebert

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   What is a lonely place about?

   • In a Lonely Place (1950) savagely sketches the vulgarity and shallowness of Tinseltown—the autograph hunters, the crassly arrogant stars, the vacuous audience and the moneymen eager to feed its appetite.

   In a Lonely Place: An Epitaph for Love - The Criterion Collection

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   What makes in a lonely place a good film?

   • "In a Lonely Place" is a superb example of the mature Hollywood studio system at the top of its form. Photographed with masterful economy by Burnett Guffey ("Knock on Any Door," "Bonnie and Clyde"), it understands space and uses the apartments across the courtyard to visualize the emotional relationship between Dixon and Laurel.

   In a Lonely Place movie review (1950) | Roger Ebert

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   Is in a lonely place a suspense movie?

   • Posters touted In a Lonely Place (1950) as “the Bogart suspense picture with the surprise finish!” This was false advertising, since there is nothing in the ending that you don’t see during the opening credits. It is all there in the eyes of Dixon Steele (Humphrey Bogart), refected in a rear-view mirror as he drives the dark streets of Hollywood.

   The ending of In a Lonely Place | Sight and Sound

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4. www.bfi.org.uk › features › ending-in-a-lonely-placeThe ending of In a Lonely Place | Sight and Sound

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   Nov 5, 2021 · That breakfast scene is not really about a couple in love but about a couple whose love is strained to breaking point. But he’s right that the scene – unsettling and sad and funny all at once – is a lesson in good writing. In a Lonely Place (1950)

5. filmschoolrejects.com › love-and-murder-in-aLove and Murder ‘In a Lonely Place’ - Film School Rejects

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   Jun 26, 2018 · In doing so, In a Lonely Place not only runs a murder mystery plotline in parallel with a romance but intertwines the two. The effect is a noir that values equally both style and substance.

6. www.rottentomatoes.com › m › in_a_lonely_placeIn a Lonely Place - Rotten Tomatoes

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   Hollywood screenwriter Dixon Steele (Humphrey Bogart) and his neighbor Laurel (Gloria Grahame) are just getting to know each other romantically when the police begin questioning Dixon about his...

   • 89% (454)
   • Actors: Humphrey Bogart

   • Director: Nicholas Ray

7. www.sensesofcinema.com › 2000 › feature-articlesShadows on the Horizon: In a Lonely Place - Senses of Cinema

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   Nov 5, 2000 · That is, the love story is ‘real’: it’s about people who really and deeply need each other and a love that is burnt and frazzled because of anxiety, irrationality, hysteria – those mad, intense forces that grip and overwhelm, that turn white into black, day into night.

8. www.imdb.com › title › tt0042593In a Lonely Place (1950) - Plot - IMDb

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   There is an undeniable connection between Laurel and Dix, and despite her guarded demeanor and his deep internal demons, the two fall madly in love and for a while they enjoy the happiest time of their lives. Meanwhile, the murder investigation continues and Dix is still the most likely suspect. This puts immense strain on their relationship.