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Aug 17, 2018 · 1. O Happy Day. 2. Amazing Grace. 3. God will Take Care of You. 4. Wholy Holy. 5. Precious Lord, Take My Hand: Tags : Aretha Franklin aretha franklin death aretha franklin news aretha franklin gospel songs.
- “Respect” (1967) She deserves the ultimate “R-E-S-P-E-C-T” for this song which is why it had to rank at the top of our list for the best Aretha Franklin songs.
- “(You Make Me Feel Like) A Natural Woman” (1967) Aretha Franklin shows off her powerful vocals in this 1967 hit that quickly became one of her most iconic and signature songs.
- “Think” (1968) The Queen showcases her incredible vocal range in this song that, according to the former magazine Cash Box, has “wailing lyrics of a hard-luck love affair” and “tremendous rhythmic drive.”
- “Until You Come Back to Me (That’s What I’m Gonna Do)” (1973) It may have originally been recorded by Stevie Wonder in 1967, but it’s Franklin’s version of the soul song “Until You Come Back to Me (That’s What I’m Gonna Do)” that the world remembers the most.
Take My Hand, Precious Lord. Aretha Franklin. 3:25. Wholy Holy. Aretha Franklin. 5:33. The Lord's Prayer (Live) Aretha Franklin. 5:06. Precious Memories (Live, 1972) Aretha Franklin. 7:20. People Get Ready. Aretha Franklin. 3:44. Ave Maria (Live) Aretha Franklin. 6:49. Spirit in the Dark. Aretha Franklin. 4:02.
- You Grow Closer, 1956
- Soulville, 1964
- I Never Loved A Man (The Way I Love You), 1967
- Respect, 1967
- A Natural Woman, 1967
- Chain of Fools, 1967
- I Say A Little Prayer, 1968
- The Weight, 1969
- Spirit in The Dark, 1970
- Rock Steady, 1971
Taped live when the singer was 14, the noise of the congregation clearly audible over her voice and piano, Aretha Franklin’s debut album, Songs of Faith, remains a genuinely haunting, faintly eerie document of at least one side of life in her father’s New Bethel Baptist church. (David Ritz’s controversial 2014 biography Respect has a pretty hair-ra...
The standard line about Franklin’s early years with Columbia records is that they were a wasted opportunity. Audibly baffled about what to do with her – get her to sing jazz-pop standards? Try to mould her into the new Dionne Warwick? – producers invariably blunted the visceral power of her voice with unsuitable material and bland arrangements. But...
Columbia’s attempts to turn Franklin into a star were elaborate. By contrast, when she moved to Atlantic, Wexler opted for simplicity. “They just told me to sit on the piano and sing,” recalled Franklin of their first session at Alabama’s legendary Fame Studios. Wexler requested she sing a blues song; Franklin responded with I Never Loved a Man (Th...
“The girl has taken that song from me,” Otis Redding protested on hearing Franklin’s version of a track from his 1965 album Otis Blue: “From now on it belongs to her.” He was right: Franklin’s version flips the meaning of the song on its head. In Redding’s hands, Respect is the standard gripe of a hard-working man asking for fealty from his little ...
From the moment she fetched up at Atlantic, it was as if someone had released the brake on Franklin’s career: the sheer number of indisputable, no-further-questions classics she produced in her first year with the label alone is faintly mind-boggling. Suddenly, a big enough star that the cream of the Brill Building’s songwritersfor hire would come ...
Yet another hit from 1967. There is something audacious about Chain of Fools, a song that Don Covay wrote in 1952. It’s a masterpiece of minimalism, a chart-topping, gold-selling, Grammy-winning single based entirely around a single C minor chord. It says something about Franklin’s vocal, soaring over the interlocking guitars of Joe South and Jimmy...
Further evidence of Franklin’s nonpareil ability to make a song her own. Burt Bacharach and Hal David’s I Say a Little Prayer – its lyric apparently intended to depict a woman worrying about her partner serving in the Vietnam war – had just been released by Dionne Warwick. It sold 1m copies when Franklin whimsically chose to cover it. Perhaps that ...
Aretha Franklin reinterpreted rock tracks as soul music so completely it sounded as if the songs were written for her. It was a trick she variously pulled off with Crosby, Stills & Nash’s Love the One You’re With, Elton John’s Border Song, the Beatles’ Let It Be and Eleanor Rigby, and Simon & Garfunkel’s Bridge Over Troubled Water. The latter was a...
Franklin was slightly underrated in certain areas of her career. She contributed far more to the arrangements of her records than the credits on them allow. Despite writing everything from vocal harmonies to drum breaks herself, she did not receive a producer’s credit until 1972. Her biggest hits were usually covers, so her talent as an interpreter...
Another irresistible example of Franklin’s writing, Rock Steady demonstrated how adaptable she could be. A writhing, compelling dancefloor groove – driven by Bernard Purdie’s drums and percussion from, among others, Dr John – punctuated by beautiful retorts on bass guitar. Sampled by everyone from Dr Dre to Public Enemy to Outkast, it stirred the a...
Aug 22, 2018 · Music. Aretha’s Greatest Albums: ‘Amazing Grace’ (1972) Inside the best-selling gospel masterpiece that took Franklin back to her roots in the church. By Patrick Doyle. August 22, 2018....
Amazing Grace: The Complete Recordings | The Official Site Of Aretha Franklin. Released: 03/21/2019. Aretha's awe-inspiring (and Grammy-winning) 1972 gospel album ascended to #7 on the pop album charts and featured legendary performances of How I Got Over; You've Got a Friend , and her charting rendition of Wholy Holy .
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Aug 16, 2018 · The vocal achievements of Aretha Franklin have informed much of modern soul, gospel, R&B, dance music and especially rock. Beyoncé considers Franklin’s voice “one of God’s blessings ...
