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Independent station. An independent station is a broadcast station, usually a television station, not affiliated with a larger broadcast network. As such, it only broadcasts syndicated programs it has purchased; brokered programming, for which a third party pays the station for airtime; and local programs that it produces itself.
Atlantic Records was one of the few of these new, small independent labels that managed to survive the initial stages of high growth and survive into the high-profit era of the 1960s and ‘70s. Founded by the son of a wealthy Turkish diplomat, Ahmet Ertegun, Atlantic focused early on rhythm and blues, but ultimately had its greatest impact ...
The big networks were not the only innovators. In the late 1940s, with network growth limited and many stations still independent, local stations developed many different kinds of programs, including news shows. WPIX, a New York City station owned by the Daily News, the city’s most popular tabloid, established a daily news program in June ...
May 9, 2019 · Historians have assumed, as did many economists in the 1950s, that annual earnings for autoworkers could be calculated closely enough by multiplying the hourly wage by a 40-hour week, 50 weeks a year.
In the 1950s and 1960s, young Americans had more disposable income and enjoyed greater material comfort than their forebears, which allowed them to devote more time and money to leisure activities and the consumption of popular culture. Rock and roll, a new style of music which drew inspiration from African American blues music, embraced themes ...
This format used short playlists of popular hits and gained a great deal of commercial success during the 1950s and 1960s. FM became popular during the late 1960s and 1970s as commercial stations adopted the practices of free-form stations to appeal to new audiences who desired higher fidelity and a less restrictive format.
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Sep 12, 2011 · The Chronicle was in real trouble in the early 1950s, but then a remarkable team of journalists took over, names such as editors Scott Newhall and Abe Rosenthal and columnists Herb Caen (who returned to the Chronicle in 1958 after a stint with the Examiner), travel writer Stan Delaplane, crusty Charles McCabe and humorist Art Hoppe, among others.