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      • On Blabbermouth he also describes how the placement of "Dance Macabre" in the album's tracklist matters, saying, "You cannot really decipher [the album] just by hearing one song." "Dance Macabre," he says, was written to suit its position in the album because he "needed a car chase" for that song's particular vignette.
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  1. Mar 24, 2021 · How Ghost’s Tobias Forge built a world around a myth, and reaped a gleeful “pure eighties rock-club banger” in Dance Macabre

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  3. Oct 11, 2017 · In the Danse Macabre, or Dance of Death, skeletons escort living humans to their graves in a lively waltz. Kings, knights, and commoners alike join in, conveying that regardless of status,...

    • Bethany Corriveau Gotschall
  4. "Dance Macabre" is a song from Ghost's fourth studio album, Prequelle. The song was debuted in a live setting, being played live at a surprise live show on May 5, 2018. The studio version was previewed via the band's Instagram story on May 17, a day prior to being officially released.

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  5. Nov 23, 2023 · Ultimately, "Dance Macabre" came from the same place as all the rest of Ghost's songs: Project lead Tobias Forge's songwriting philosophy. "With Ghost every song has to have its own clear idea and structure," he told Louder.

  6. “Danse Macabre” is inspired by the medieval allegory of the Dance of Death, a common motif in art and literature during the Middle Ages. The concept revolves around the idea that death is an equalizer, dancing alongside people from all walks of life, regardless of their social status.

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    • Danse Macabre
    • Camille Saint-Saëns
    • Camille Saint-Saëns
  7. Feb 15, 2022 · The Dance of Death, also known as danse macabre, is an allegory describing the universality of death. Many artists have created their interpretation of The Dance of Death; each version comprises a series of separate images featuring a character from the social strata, from a king to a peddl.

  8. Danse Macabre is a 1981 non-fiction book by Stephen King, about horror fiction in print, TV, radio, film and comics, and the influence of contemporary societal fears and anxieties on the genre. When the book was republished King included a new Forenote dated June 1983 (however not all subsequent editions have included this forenote).

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