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Learn about the history and legacy of AIP, a film production and distribution company that catered to teenage audiences from 1955 to 1980. Find out how AIP used focus groups, titles, posters, and genres to create low-budget hits such as The Fast and the Furious, The Beast with a Million Eyes, and The Raven.
Learn about the history and evolution of the logo of American International Pictures, a film production and distribution company that specialized in low-budget and genre films. See the different versions, variants, and techniques of the logo from 1956 to 2021.
Learn about the history and legacy of AIP, a studio that made low-budget movies for drive-ins and theaters from the 1950s to the 1970s. Discover how AIP launched the careers of directors, actors, and genres such as horror, beach, and blaxploitation.
- Day The World Ended
- I Was A Teenage Werewolf
- The Pit and The Pendulum
- Reptilicus
- Black Sabbath
- Wild in The Streets
- The Abominable Dr. Phibes
- The Amityville Horror (1979) and The End of AIP
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Day the World Ended is a terrific start to our list because it combines three elements integral to AIP’s early years: Roger Corman, Paul Blaisdell, and a monster. Corman, a young independent filmmaker, had produced a race car movie called The Fast and The Furious in 1954 – the title of which he eventually licensed to Universal in 2001 for their fam...
As the ‘50s wore on, AIP went from strength to strength releasing horror and exploitation double bills to great success. The culmination of their teen awareness and monster savvy arrived in one of AIP’s very best: I Was a Teenage Werewolf. Michael Landon plays Tony, a troubled young man who explodes into violent rage at the slightest provocation. H...
Following the black-and-white monster cycle of the 1950s, Roger Corman would once again influence AIP’s next steps. Arkoff and Nicholson had approached the producer about doing another pair of black-and-white horrors for $100,000, but Corman instead asked if he could make one film for double the cost in widescreen and colour. This initiated an eigh...
Reptilicusis a marvellous giant monster film. A drilling team digs up the remains of a reptilian tail, which eventually regenerates into a complete giant monster: Reptilicus. The beast makes its way through the Danish countryside before ravaging Copenhagen. The film is an example of how AIP had branched out, looking to overseas productions to impor...
From the late ‘50s onwards, AIP also turned to Italy to import expensive-looking pictures for inexpensive costs with significant profits. As with Reptilicus, AIP didn’t keep itself to just importing, and several Italian co-productions appeared in the early 1960s. In 1961, AIP had imported Mario Bava’s sensational black-and-white horror Black Sunday...
Wild in the Streets perhaps demonstrates AIP’s finger on the cultural pulse at its finest. The film asks the question every generation poses: what if young people were in charge? Wild in the Streetsfollows Max Frost, a millionaire 20-something rockstar whose public image sees him catapulted to the highest office in the land. As President, Frost and...
One of AIP’s most peculiar releases given its modus operandi was a 1970 adaptation of Wuthering Heights. Though the film wasn’t a great success, director Robert Fuest had impressed Nicholson and Arkoff, paving the way for his involvement in arguably one of Vincent Price’s best horror films. The Abominable Dr. Phibes is a tour de force of gorgeous p...
It seems fitting that one of AIP’s last hurrahs – and one of its most successful films – was a horror picture. The Amityville Horror remains as effective as ever, a haunted house horror triumph. Starring Margot Kidder and James Brolin, The Amityville Horrortells the supposedly true story of the haunting of the Lutz family, whose new home seems poss...
Learn about the independent film company that produced horror, sci-fi, and exploitation classics from the 1950s to the 1970s. Discover some of their key pictures, such as Earth vs. The Spider, I Was a Teenage Werewolf, and The Pit and the Pendulum.
American International Pictures (AIP) (US) 1-50 of 489. Sort by Popularity. View full company info for American International Pictures (AIP) (US) 1. Mad Max. 1979 1h 28m R. 6.8 (229K) Rate. 73 Metascore. In a self-destructing world, a vengeful Australian policeman sets out to stop a violent motorcycle gang. 2. Rolling Thunder. 1977 1h 40m R.
Learn about the history and films of AIP, an independent American motion picture company that produced and distributed low-budget sci-fi and horror movies from 1954 to 1979. Find out how AIP catered to teenage audiences, used catchy titles and posters, and sometimes altered foreign films to suit the US market.
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"La Dolce Vita", "Sisters", "Black Sunday", "The Abominable Dr. Phibes", & "House of Usher" are on The Top 100 'American International Pictures' Movies on Flickchart.