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Since the 80s a new wave of german splatter has emerged (Jörg Buttgereit, Olaf Ittenbach) and since the 90s some german Horror-Productions even aim at mainstream-audiences. Nowadays: Big Studios still mostly don't dare to produce Horror-Movies, while there's a flood of amateur Productions out of the splatter- and gore-scenes to compensate that.
- The Cabinet of Dr. Caligari
- The Golem
- Nosferatu
- The Hands of Orlac
- M: Eine Stadt sucht einen Mörder
- Vampyr
- The Testament of Dr. Mabuse
- Horrors of Spider Island
- Jonathan
- Mark of The Devil
The Cabinet of Dr. Caligari, (German: Das Cabinet des Dr. Caligari) is a silent movie and a key influence to German expressionist cinema. Directed by Robert Wiene and written by two pacifists named Carl Mayer and Hans Janowitz, Caligariis considered the apex of German Expressionist cinema. The sets were painted rather than natural, and they evoke w...
An Expressionist classic in the vein of Dr. Caligari, the film’s German title was Der Golem, wie er in die Welt kam (The Golem: How He Came Into the World). The plot retells an actual Jewish folk myth from Prague in the 1600s when the Holy Roman Emperor was severely oppressing the inhabitants of the Jewish minority ghetto. The title character is a ...
The first true Dracula film—Bela Lugosi’s Dracula would come nine years later—Nosferatu is based directly on the 1897 Bram Stoker novel Draculawith a few key elements switched around to avoid prosecution for copyright infringement. For example, Count Dracula becomes Count Orlok, the word “nosferatu” is used instead of “vampire,” and the bloodsuckin...
The Hands of Orlac brings director Robert Weine and actor Conrad Veidt back together after Dr. Caligarito tell the tale of a concert pianist who loses his hands in a railroad accident, only to have them replaced with a murderer’s hands. He soon finds himself with an overwhelming desire to kill. Since his new hands aren’t able to play the piano, Orl...
Released in the USA simply as M, the full German title translates as M: A City Searches for a Murderer. This is famed director Fritz Lang’s first sound film, and he says he considers it the best film he ever made because it tells a tale of social responsibility. It involves a child killer (hauntingly played by bug-eyed Peter Lorre, who, along with ...
This dreamy, intentionally washed-out-looking 1932 surrealistic classic was filmed with the actors silently mouthing their lines in three different languages—French, German, and English—because director Carl Theodor Dreyer wanted to release three different versions. Voiceover actors subsequently dubbed in the lines after filming was completed, alth...
The basic plot involves a criminal genius who gives orders to his underlings while he’s confined in an asylum, then continues giving orders as a ghost after he dies. The subtext is that the Dr. Mabuse character was intended as a proxy for Adolf Hitler. Released in Germany as Das Testament des Dr. Mabuse, this offering from Fritz Lang is simultaneou...
A West German take on the Cold War due to the fact that Spider Island is rich with uranium but infested with radioactive spiders, this low-budget softcore exploitation film involves a group of New York City strippers who are flying to a gig in Singapore, only to crash on a remote island but miraculously survive. Gary, the strip-club manager, wander...
A post-WWII German film whose unique twist is that it casts vampires as an entire class of wealthy fascist aristocrats who rule the country and routinely suck the blood from every human and animal under their dominion. It is set in rural Germany in the 1800s, where a group of peasants, led by a “vampire researcher,” select a heroic young man named ...
Released in Germany as Hexen bis aufs Blut gequält (Witches Tortured till They Bleed), the film’s production company earned international attention with marketing schemes such as providing “barf bags” for theatergoers and describing the movie as “Positively the most horrifying film ever made,” “Rated V for Violence,” and “Guaranteed to Make You Sic...
- Chrissy Stockton
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I saw some of these back in the days when I still really liked Horror movies. Honestly many of them are pretty bad but I found later out on IMDB that they have even some "cult" status among foreign viewers because of their primal nature. I thought Ittenbach was better than the rest. Slightly better stories, some funny dialogue, and some good ...
- Vampyr (1932) "Vampyr" was Carl Theodor Dreyer's first sound film first sound film, and the liminal nature of his (highly successful) attempt to bridge the gap between the new technology and the visual vocabulary of silent cinema is a perfect match for the unsettling nature of a vampire tale.
- M (1931) The second of Fritz Lang's films to appear on this list, "M" was Lang's first sound film. The use of sound in this crime thriller is impeccable, turning Edvard Grieg's "In the Hall of the Mountain King" into the call of death.
- The Cabinet of Dr. Caligari (1920) Robert Wiene's cinematic nightmare is the definitive German Expressionist film. The exaggerated angles seem to exist outside of nature.
- Nosferatu: A Symphony of Horror (1922) F.W. Murnau's adaptation of Bram Stoker's "Dracula" might not have been authorized, but it certainly still holds the title for the most chilling cinematic version of Stoker's classic novel.
Dec 9, 2019 · The Curse (1988) In this little-known German movie, a husband and wife and their daughter get lost in the mountains. They are forced to stay there overnight, which leads to unexplained occurrences. For one thing, the daughter discovers the dead body of a girl who looks just like her.
May 15, 2024 · Starting as early as 1920, German horror began to take shape and influence the world at large with its stunning, heartbreaking, and ultimately revolutionary feats in the world of horror, and over 100 years later, Deutschland still manages to create breathtaking and haunting works of art in the horror world.
Splatter films, a sub-genre of the broader Horror category, specialize in the explicit portrayal of gore and violence. Unlike traditional Horror films, which rely on suspense, atmosphere, and psychological terror, Splatter films focus on the visceral and the shocking, often pushing the boundaries of on-screen violence. This genre, while controversial, has carved out a distinct niche within ...
