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Nixon, not Deborah Kerr
- It was Nixon, not Deborah Kerr, who sang “Shall We Dance” and other Rodgers and Hammerstein standards in 1956’s “The King & I.”
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In 1956, she worked closely with Deborah Kerr to supply the star's singing voice for the film version of Rodgers and Hammerstein's The King and I; Kerr broke with Hollywood convention by publicly crediting Nixon's singing.
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In 1930, Margaret Nixon McEathron was born in Southern California, US. She sang in professional choirs as a child, before training to be a classical soprano in her late teens. At this time, Nixon also worked as a messenger for Metro-Goldwyn-Mayer (MGM). They soon became aware of Nixon’s impressive singing voice (she had perfect pitch and a four-oct...
Marni Nixon was hired to work alongside some of the greatest players in the film industry – but if she told anyone about it, she was told she’d never be hired again. “You always had to sign a contract that nothing would be revealed,” she told the ABC News program Nightline in 2007. “Twentieth Century Fox, when I did The King and I, threatened me. T...
Kerr casually dropped Nixon’s name into an interview with The Mirror in 1956, the year she won the Oscar for The King and I. “She’s a wonderful woman, this Marni Nixon,” Kerr said. “We split [the songs]. I would lead into them and in the middle of the song, when I couldn’t go any further, Marni would take over.” Her working relationship with Kerr s...
By the 1960s, newspapers had caught wind of the extent of Nixon’s ‘ghost’ singing. A 1964 article in Time Magazinereferred to her as ‘the ghostess with the mostest’ – a nickname which presumably grated on Nixon while film companies continued to leave her name off the credits. She also appeared on To Tell the Truth and was the answer to several clue...
When Nixon was brought in to sing for Natalie Wood as Maria in West Side Story, Wood thought she’d just be filling in a few high notes. “In the case of Audrey Hepburn,” Nixon told The Washington Post,“She was very smart and could say, ‘I know this is not good enough, I want to keep trying myself,’ but she had to accept that it wasn’t quite what it ...
Finally a voice with a face, Nixon stopped working as a ghost singer and was hired to act and sing as one of the nuns in The Sound of Music (1965). She also appeared as the (credited) voice of Grandmother Fa in the 1998 Disney animated film Mulan. Before and after Hollywood, Marni was an acclaimed concert singer, a specialist in contemporary music,...
Today, movie musical directors tend to cast either actors who are also trained singers (like Meryl Streep in Mamma Mia!), actors with a lot of prior experience in singing (like Hugh Jackman in Les Misérables) or someone whose fame overrides their need to have a perfect singing voice (like Emma Watson in the recent live-action version of Beauty and ...
- Maddy Shaw Roberts
Jul 25, 2016 · Marni Nixon, who died Sunday, was the singing voice in movie musicals for Deborah Kerr, Audrey Hepburn, Natalie Wood and other Hollywood starlets. |. AP/File. Yul Brynner and Deborah Kerr are...
Marni Nixon dubbed Deborah Kerr's singing in the film. Marni Nixon was hired on a six-week contract, and she was to be at the studio every day that Deborah Kerr rehearsed a scene with a song in it. Nixon would actually stand next to Kerr and walk through the whole scene - both of them singing - and Nixon would be looking closely at Kerr's ...
Jul 25, 2016 · Marni Nixon did the singing for, from left, Deborah Kerr in “The King and I,” Natalie Wood in “West Side Story” and Audrey Hepburn in “My Fair Lady.” Credit...
Jul 25, 2016 · In 1954, she got a call to ghost Deborah Kerr's voice in The King and I. Kerr understood she needed to be dubbed, and in 2006 Nixon said their relationship was very collegial.
Marni Nixon provided Kerr's singing for the film. [6] Nixon and Kerr worked side-by-side in the recording studio for songs which combined speaking and singing. Nixon would also dub Kerr's singing the following year, for the film An Affair to Remember.
