Search results
People also ask
Did Eddie Van Halen play a synth on 'jump'?
How did Eddie Van Halen make 'jump'?
What is the sound design of 'jump' by Van Halen?
What makes 'jump' by Van Halen so special?
Does Eddie Van Halen have a synth?
How to re-create Van Halen 'jump' synth sound?
Apr 5, 2018 · Given the endless tone worship and shredding adulation Eddie Van Halen generates within the guitar community, it's somewhat ironic that one of the band's most recognizable sounds comes from a synth.
- Dan Orkin
The synth line was written circa 1981 by Eddie Van Halen, but it was rejected by the other members of the band. In 1983, producer Ted Templeman asked Roth to listen to the unused song idea. Riding around in the back of his 1951 Mercury , with band roadie Larry Hostler driving, Roth listened repeatedly to the tune.
Jul 20, 2023 · At 5150 Studios, Eddie Van Halen crafted the instrumental for “Jump,” showcasing his mastery of the Oberheim OB-Xa synthesizer. He initially faced resistance from band members regarding the use of keyboards, but this solo endeavor eventually paved the way for “Jump.”
Feb 24, 2021 · Over the years, the screwup has largely been blamed on a tech, with many fans positing that the synth track was played back at the wrong sample rate. But now Eddie’s guitar tech at the time, Tom Weber, has cleared up the story.
Unusually for Van Halen, the lead instrument on "Jump" is a synthesizer, an Oberheim OB-Xa played by Eddie Van Halen. This was on trend for the time as rock legends were finding ways to integrate synths into their sounds, vaulting them up the pop charts.
Oct 14, 2020 · The synth which Van Halen used in “Jump” is an Oberheim OB-Xa. This machine uses polyphonic, substractive synthesis to generate its sounds.
Mar 11, 2024 · Eddie Van Halen’ s iconic synth riff was famously rejected by his bandmates when he first played it to them back in 1981. It took producer Ted Templeman to persuade frontman David Lee Roth of its merits, but even he wasn't initially bowled over by both the riff nor song.
