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Unquestionably belonged to Jack Pierce
- Though many have argued as to whether director James Whale, actor Boris Karloff or Junior himself contributed to the makeup, the driving force behind the look of the character unquestionably belonged to Jack Pierce.
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Dec 4, 2019 · By the time Karloff and Pierce did Son of Frankenstein, eight years later, in 1939, the make-up man had refined some of his techniques with substances described as “plastics,” but the total ordeal was hardly shortened. The painstaking process of creating the Mummy.
- ASC Staff
Universal Studios Monster Maker. As the head of Universal's make-up department, Pierce is credited with designing and creating the iconic make-ups for films like Frankenstein, The Mummy (1932), The Wolf Man (1941), and their various sequels associated with the characters.
Nov 12, 2020 · Credit for the costume design is almost always given to Jack Pierce, which seems to be more likely. During his research period for the makeup, Pierce read that the bodies of criminals buried alive in ancient Egypt were found with elongated extremities. He decided to add the same macabre flavor to the Monster’s design.
Short back and sides: Jack Pierce applies the definitive Monster make-up to Boris Karloff for Frankenstein (Universal 1931) Although his work on Dracula (1931) was relatively limited, owing to Bela Lugosi’s theatre-learned dedication to applying his own make-up, Jack P Pierce’s influence runs throughout the character’s appearance – the ...
Apr 11, 2018 · Movies. How this makeup whiz created the most recognizable monster of all time. By. Raquel Laneri. Published April 11, 2018. Updated April 12, 2018, 3:46 p.m. ET. Jack Pierce works on Boris...
Oct 31, 2023 · Though historians have argued as to whether director James Whale, actor Boris Karloff, or Junior himself contributed to The Frankenstein Monster’s iconic makeup, the driving force behind the look of the character incontrovertibly belonged to Jack Pierce.
A makeup man par excellence, Jack Pierce created the image of the monsters we know and love: Frankenstein, the Wolf Man, the Mummy, and the Invisible Man. He even had a hand in refining the image of Dracula, even though Bela Lugosi had been playing the Count on stage—and doing his own makeup—for years before the film was made.
