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    • Kung Fu Dunk (2008) - IMDb
      • "Kung Fu Dunk" is a combination of basketball, Kung Fu and a semi-romantic love story thrown into the midst.
      www.imdb.com › title › tt0848538
  1. en.wikipedia.org › wiki › Kung_Fu_DunkKung Fu Dunk - Wikipedia

    After Ting Wei counsels Shi Jie, the basketball team becomes more unified. Meanwhile, he helped Shi Jie combine his foundation of Kung-Fu skills into basketball techniques, which in turn brings his skills into full play and helps the team win many rounds of the inter-varsity tournament.

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  3. Combining kung fu with sports is no longer something new and the result providing the audience with an average mindless entertainment. While Shaolin Soccer is a classic three act underdog story, Kung Fu Dunk goes like a roller-coaster rides but without the thrills in between.

  4. Feb 7, 2008 · Kung Fu Dunk: Directed by Yen-Ping Chu. With Jay Chou, Eric Tsang, Gang Wang, Charlene Choi. Fang Shijie is found as a baby in the garbage and raised at a martial arts academy.

    • (3.7K)
    • Action, Comedy, Sport
    • Yen-Ping Chu
    • 2008-02-07
  5. Apr 4, 2008 · Basketball and Chinese martial arts combine to mildly amusing effect in pan-Chinese co-production “Kung Fu Dunk,” headlined by Taiwanese singer-actor hearthrob Jay Chou (“Curse of the Golden...

  6. Shi-Jie (Jay Chou) was abandoned by his parents as a child and left with the master of the local kung fu school. As he grows up, he vigorously trains in martial arts and develops an ability to...

    • (575)
    • Kevin Chu
    • Comedy
    • Jay Chou
  7. www.mewatch.sg › movie › Kung-Fu-Dunk-348084Kung Fu Dunk - mewatch

    The basketball team captain, Ding-wei, finds Jay’s talents unique and starts to help him to combine his kung fu skills with proper ball-playing techniques. Soon, Jay led the team to the finals in the major collegiate basketball tournament.

  8. Mar 23, 2015 · Kung Fu Dunk (2008) Bizarre sports film greatly inspired by the comedies of Stephen Chow – most notably Shaolin Soccer – which embraces Chow’s leaning towards high-concept absurdity without any of the performer’s natural wit or levity.

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