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Cubism. Pablo Gargallo (born 1881, Mailla, Spain—died December 28, 1934, Reus) was a Spanish sculptor who was among the first artists to work in iron. He introduced Pablo Picasso to metal sculpture. After studying drawing and sculpture in Barcelona, Gargallo won a scholarship in 1903 to continue his studies in Paris; he was forced to return ...
- The Editors of Encyclopaedia Britannica
Pablo Gargallo, 1915, in his studio at 45 rue Blomet. He spent a significant part of his life in the Montparnasse Quarter of Paris, France. In 1903, he invested a studio at the Cité d'Artistes, rue Vercingétorix in the 14th arrondissement of Paris. There he met Max Jacob and Carlos Casagemas, both friends of Pablo Picasso.
Pablo Gargallo (1881-1934) Gargallo was born in Maella in Zaragoza which is in the Spanish region of Aragon, but he moved with his family to Barcelona in 1888. His father owned an ironworks in which Gargallo learned how to forge the metal. Pablo Gargallo began to study in Barcelona, training in the arts and working for Eusebi Arnau in his workshop.
The Aragonese sculptor Pablo Gargallo (1881-1934) was one of the most important artists of the Spanish and international avant-garde of the 20th century. Throughout his career, he combined classicism with experimentation, introducing a fundamental element: emptiness. The grape harvester Pablo Gargallo Museum.
Pablo Emilio or Pau Emili Gargallo (5 January 1881 – 28 December 1934), known simply as Pau or Pablo Gargallo, was a Spanish sculptor and painter. Information from Wikipedia, made available under the. Getty record.
The Aragonese sculptor Pablo Gargallo was born in 1881 in Maella, Zaragoza. He is considered one of the most important artists of the Spanish and international avant-garde of the 20th century, combining classicism and the avant-garde throughout his artistic life. Gargallo, who lived halfway between Barcelona and Paris, introduced a fundamental ...
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Prophet. By cutting away material, Gargallo created a new, more spatial dimension. The preliminary studies for this work, which dates from 1933, were made in 1909-10. In 1926, Gargallo also made the head once in copper. He never saw the final result in bronze, as he died a few months prior to the sculpture’s completion.
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