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  1. Oct 2, 2014 · It is not a subtle film, nor is it trying to be. As directed by David Fincher ("Se7en," "Zodiac") and as adapted by Gillian Flynn from her bestselling potboiler, "Gone Girl" suggests one of those overheated, fairly comic-bookish "R"-rated thrillers that were everywhere in the late '80s and early '90s. Like those sorts of pictures, "Gone Girl ...

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  2. Mar 9, 2024 · But "Gone Girl" isn't your typical thriller: Nobody is truly without guilt. From Amy to Nick, from Margo to TV host Ellen Abbott, they all have some complicity in the film's worst crimes. Nick ...

    • Is 'Gone Girl' a subtle film?1
    • Is 'Gone Girl' a subtle film?2
    • Is 'Gone Girl' a subtle film?3
    • Is 'Gone Girl' a subtle film?4
    • Is 'Gone Girl' a subtle film?5
  3. Gone Girl is a 2014 American psychological thriller directed by David Fincher and written by Gillian Flynn, based on her 2012 novel of the same name. It stars Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry, and Carrie Coon in her film debut. In the film, Nick Dunne (Affleck) becomes the prime suspect in the sudden disappearance of ...

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  5. Oct 3, 2014 · Review of Gone Girl film, starring Ben Affleck, from David Fincher and Gillian Flynn, ... There’s a subtle-yet-distinct difference between literature and a page-turner or a good beach read.

  6. The film Gone Girl is a psychological thriller that revolves around the characters of Nick and Amy Dunne, a married couple whose relationship starts to fracture as secrets and lies come to light. Nick, played by Ben Affleck, is the prime suspect in the disappearance of his wife Amy, played by Rosamund Pike.

  7. Dec 17, 2023 · Gone Girl is a masterclass in storytelling, offering an unpredictable twist that avoids clichés and predictable twists. Amy's pregnancy is revealed to be a manipulative ploy to force Nick to stay in their toxic marriage. The ending highlights the ruthless and calculated nature of both Amy and Nick, suggesting that their marriage will continue ...

  8. Oct 1, 2014 · Gone Girl, David Fincher's meticulously overwrought screen version of Gillian Flynn's he-said/she-said novel of marital discord gone malevolent, is a film that sticks to its source with an almost ...

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