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  1. 24 Hour Party People

    24 Hour Party People

    R2002 · Comedy drama · 1h 57m

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      • Funny, smart, and exciting, this film has some of the best dialogue you'll hear, and Coogan's narration will have you in stitches, blow your mind, and make you look forward to seeing his next film.
      www.commonsensemedia.org › movie-reviews › 24-hour-party-people
  1. Aug 16, 2002 · The movie works so well because it evokes genuine, not manufactured, nostalgia. It records a time when the inmates ran the asylum, when music lovers got away with murder. It loves its characters.

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  3. Aug 9, 2002 · Tony Wilson (Steve Coogan) is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he...

    • (100)
    • Michael Winterbottom
    • R
    • Steve Coogan
  4. Top Critics. All Audience. Verified Audience. Sean Axmaker Stream on Demand. Director Michael Winterbottom’s sprawling, jagged film is happily, even willfully unreliable as history and it...

  5. From Paddy Considine and Andy Serkis to Sean Harris and Shirley Henderson, 24 Hour Party People is stacked with some of British cinema's greatest talents, but Coogan is the obvious standout.

    • Andy Serkis
    • Michael Winterbottom
  6. Sep 20, 2002 · 24 Hour Party People: Directed by Michael Winterbottom. With Steve Coogan, John Thomson, Paul Popplewell, Lennie James. In 1976, Tony Wilson sets up Factory Records and brings Manchester's music to the world.

    • (40K)
    • Biography, Comedy, Drama
    • Michael Winterbottom
    • 2002-09-20
  7. Excellent movie about punk's origins; older teens only. Read Common Sense Media's 24 Hour Party People review, age rating, and parents guide.

  8. 24 Hour Party People is a 2002 British biographical comedy drama film about Manchester's popular music community from 1976 to 1992, and specifically about Factory Records. It was written by Frank Cottrell Boyce and directed by Michael Winterbottom. The film was entered into the 2002 Cannes Film Festival [3] to positive reviews.

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