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- Charles de Lint has been writing urban fantasy, mixing elements of Native American and Celtic folklore, for a long time.
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De Lint, however, draws upon not only North American Aboriginal culture, but also the folklore of other cultures. For example, his novel, Moonheart , uses elements of both Native American and Welsh folklore.
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Charles de Lint has been writing urban fantasy, mixing elements of Native American and Celtic folklore, for a long time.
Oct 1, 1984 · Describing a magical universe “like an onion” where the layers of each world are fit closely together, sometimes overlapping and frequently touching, de Lint blends elements of European myth and Native American folklore into his own mystical, charming creation.
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However, while de Lint’s works hold Indigenous beliefs in high esteem, they do not promote “native wannabes”; instead, his aim is to show that there are different paths to understanding one’s place in the world and restoring the world’s beauty.
Many of Charles de Lint's Newford novels mix Celtic and Native American folklore and magic together against a gritty 20th-century urban background. In Forests of the Heart , de Lint places the two traditions in direct conflict.
various aspects of de Lint’s works, e.g., Laurence Steven’s “Welwyn Wilton Katz and Charles de Lint: New Fantasy as a Canadian Post-colonial Genre” (Worlds of Wonder, 2004), Christine Mains’ “Old World, New World, Otherworld: Celtic and Native American
Charles de Lint has been writing urban fantasy mixing elements of Native American and Celtic folklore for a long time. Many of his earlier stories, such as Moonheart , Jack the Giant Killer , Drink Down the Moon (both later republished as Jack of Kinrowan ), Ascian in Rose , Westlin Wind and Ghostwood (later collected and republished as the ...
