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- The Portrait of a Lady received mixed reviews from critics. It holds a 47% approval rating on Rotten Tomatoes based on 73 reviews, with an average rating of 5.9/10. The consensus summarizes: "Beautiful, indulgently heady, and pretentious, The Portrait of a Lady paints Jane Campion's directorial shortcomings in too bright a light."
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In Jane Campion’s film of the James novel, we meet Isabel (Nicole Kidman) at what could have been the defining moment of her life. Orphaned in America, she visits rich English relatives and receives a proposal of marriage from Lord Warburton ( Richard E. Grant ).
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Jane Campion's period romance drama The Portrait of a Lady (1996) is a stunning piece of arthouse filmmaking.
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- Jane Campion
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Jan 27, 2024 · Jane Campion’s ambitious Henry James adaptation The Portrait of a Lady is her most underrated film, sporting a magnificent performance by Nicole Kidman, gorgeous visuals and crushing pathos.
Sep 9, 1996 · Much like Martin Scorsese’s “The Age of Innocence,” Jane Campion ‘s “The Portrait of a Lady,” her much-anticipated follow-up to “The Piano,” emerges as a literary adaptation of exceeding...
The Portrait of a Lady is a 1996 British - American film directed by Jane Campion and adapted by Laura Jones from Henry James ' 1881 novel of the same name. The film stars Nicole Kidman, Barbara Hershey, John Malkovich, Mary-Louise Parker, Martin Donovan, Shelley Duvall, Richard E. Grant, Shelley Winters, Viggo Mortensen, Valentina Cervi ...
An American girl inherits a fortune and falls into a misguided relationship with a gentleman confidence artist whose true nature, including a barbed and covetous disposition, turns her life into a nightmare. Director. Jane Campion. Writers. Henry James. Laura Jones. Stars. Nicole Kidman. John Malkovich. Barbara Hershey.
First, this film is unquestionably Jane Campion's best work to date, and it represents, in particular, a significant advance beyond her previous work in The Piano. Second, this film, while unapologetically feminist in point of view, in no sense attempts to shoehorn James's artistic vision into an ideological box for which it is unsuited.
