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- The film was drawn from the true story of an innocent man charged with a crime, as described in the book The True Story of Christopher Emmanuel Balestrero by Maxwell Anderson and in the magazine article "A Case of Identity", which was published in Life magazine in June 1953 by Herbert Brean.
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Bernard Herrmann (born Maximillian Herman; June 29, 1911 – December 24, 1975) was an American composer and conductor [1] best known for his work in composing for films. As a conductor, he championed the music of lesser-known composers. He is widely regarded as one of the greatest film composers. [2]
May 1, 2024 · Bernard Herrmann was an American composer and conductor, widely recognized for his film scores. His music for Psycho (1960) has remained a paragon of suspense-film sound tracks. Herrmann was born into a family of Russian immigrants.
- The Editors of Encyclopaedia Britannica
Bernard Herrmann's music helped make Alfred Hitchcock's Psycho and Vertigo, ... Both his opera, based on Wuthering Heights, and his cantata, Moby Dick, never won the support he desired. Perhaps ...
- Musicnotes
- Psycho’ This 1960 Hitchcock film is widely considered to be Bernard Herrmann’s most influential and impactful work. Whereas many mid-century movies featured jazz-inspired scores, Herrmann opted for traditional orchestral sounds, including quiet moments using odd rhythms to build tension and suspense.
- The Ghost and Mrs. Muir’ Of all of the Bernard Herrmann movies created, this score was reportedly his favorite. For this 1947 film, Herrmann created a moody and romantic score that included several leitmotifs, which are recurring themes in music.
- Vertigo’ 1958’s Vertigo stands as one of Alfred Hitchcock’s most significant films and that’s partially due to Bernard Herrmann’s score. In this film, a retired detective afflicted with vertigo is hired to guard a woman who seems to be possessed by a spirit.
- Citizen Kane’ This 1941 film marked the first time that Herrmann and director Orson Welles worked together on the big screen. In this movie, the titular character dies uttering the enigmatic final word “rosebud.”
Complex and irascible, Bernard Herrmann was plagued by career frustrations, but remains one of cinema’s most iconic musical voices
Aug 2, 2012 · In all Bernard Herrmann wrote scores for eight Hitchcock films, starting with The Trouble with Harry in 1955. But a decade later the final score, for Torn Curtain, was dumped by Hitchcock and ...
Not least because Bernard Herrmann had already established himself as a great innovator in film music long before he even met the guy. Just consider the fact he debuted as a composer for film with Citizen Kane – widely regarded by critics and audiences alike as the Nr. 1 Film Of All Time. Seen in the light of modern day film scoring, this ...
