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  1. Possession is a 1981 psychological horror drama film directed by Andrzej Żuławski and written by Żuławski and Frederic Tuten. The plot obliquely follows the relationship between an international spy and his wife (Isabelle Adjani), who begins exhibiting increasingly disturbing behavior after asking for a divorce.

  2. Possession (1981): Plot Explained In Short. Mark returns home from a mysterious voyage (it was hinted that he was a spy) only to find his wife estranged and his child neglected. He tries to put the pieces together and finds out that his wife, Anna has a lover named Heinrich.

  3. Oct 28, 1983 · Possession: Directed by Andrzej Zulawski. With Isabelle Adjani, Sam Neill, Margit Carstensen, Heinz Bennent. A woman starts exhibiting increasingly disturbing behavior after asking her husband for a divorce. Suspicions of infidelity soon give way to something much more sinister.

    • (44K)
    • Drama, Horror
    • Andrzej Zulawski
    • 1983-10-28
  4. Possession: A Romance is a 1990 best-selling novel by English writer A. S. Byatt that won the 1990 Booker Prize for Fiction. The novel explores the postmodern concerns of similar novels, which are often categorised as historiographic metafiction, a genre that blends approaches from both historical fiction and metafiction .

    • A.S Byatt
    • 1990
  5. Jan 8, 2024 · Possession has been described by critics and readers as an array of different genres, from romance to thriller, historical fiction to metafiction and even a detective story. Is it fair to pigeonhole the novel in such a way?

  6. Byatt deftly plays with literary genresRomantic quest, campus satire, detective story, myth, fairy tale—as Maud and Roland become deeply involved in the unfolding story of a secret relationship between the Victorian poets Randolph Henry Ash and Christabel LaMotte.

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  8. Possession is a unique combination of literary techniques in which two separate but related stones are told simultaneously. The Victorian story is told through a variety of Victorian narrative ...

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