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Apr 14, 2023 · The Dragged Across Concrete ending is satisfying for some characters and subversively short-changes others as the detectives, the bank robbers, and the getaway drivers all try to escape with the loot. RELATED: 10 Cop Movies To Watch After Dragged Across Concrete. What Happens In Dragged Across Concrete's Ending
Mar 20, 2023 · ‘Dragged Across Concrete‘ is a 2018 crime thriller film written and directed by S. Craig Zahler. It stars Mel Gibson, Vince Vaughn, Tory Kittles, Michael Jai White, and Jennifer Carpenter in the lead roles. The narrative follows two police detectives in desperate need of money after being suspended from their duty. However, their desire lands […]
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Mar 23, 2019 · His choice of viewing is a nature show about lion cubs. Unlike Johns, the detective doesn’t show any desire to put a bullet in the creatures. But they do fascinate him. Afterward, he leaves the ...
Dragged Across Concrete. Dragged Across Concrete is a 2018 American neo-noir [2] crime thriller film written and directed by S. Craig Zahler. It stars an ensemble cast that includes Mel Gibson, Vince Vaughn, Tory Kittles, Michael Jai White, Jennifer Carpenter, Laurie Holden, Fred Melamed, Udo Kier, Thomas Kretschmann, and Don Johnson. The story ...
- $660,132
- Jeff Herriott, S. Craig Zahler
- $15 million
- S. Craig Zahler
I’m elated to relay that neither reason has been a matter of impact when it comes to just how much I truly savored every morsel of the dicey, racist cops v. struggling, ethically grey criminals of the black community tropes that Steven Craig Zahler’s neo-noir crime thriller “Dragged Across Concrete” presented on a keenly entertaining ...
Brett Ridgeman (Mel Gibson) and Anthony Lurasetti (Vince Vaughn) are a pair of police officers working the urban beat in the city of Bulwark. During a drug bust, the older, more volatile Ridgeman becomes unnecessarily rough with a suspect, using his foot to jam the man's face into a fire escape. They also pour cold water on and mock the suspect ...
Mar 22, 2019 · Most of “Dragged” is shot in low light, especially the final hour, but Zahler has a great sense of space and blocking, which helps keeps the film engrossing. And he draws a fascinating, world-weary performance from Gibson, who reminds one how good he can be with the right material.
