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Jul 22, 2020 · It may be even worse today, the use of what in Hollywood is called wall-to-wall music, but even then many producers and directors did not understand the importance of silence.-Miklós Rózsa. Recordings. Ben-Hur (complete film score), Nic Raine, The City of Prague Philharmonic Orchestra and Chorus Amazon; Miklós Rózsa: A Centenary Celebration ...
Miklós Rózsa ( Hungarian: [ˈmikloːʃ ˈroːʒɒ]; April 18, 1907 – July 27, 1995) [1] was a Hungarian-American composer trained in Germany (1925–1931) and active in France (1931–1935), the United Kingdom (1935–1940), and the United States (1940–1995), with extensive sojourns in Italy from 1953 onward. [2] Best known for his nearly ...
Jul 27, 1995 · Hungarian-born composer best known for his Oscar-winning film scores who was also celebrated for his contemporary classical pieces. Read Full Biography. STREAM OR BUY: Active. 1930s - 1980s. Born. April 18, 1907 in Budapest, Hungary. Died. July 27, 1995 in Los Angeles, CA.
Miklós Rózsa, an intellect and a gentleman of the old school, was an artist with an enormous contribution to the art of film music. His music has been both light in tone and heavily dramatic in feeling, and he was one of very few film composers highly regarded enough to be accepted to the classical stage as well as in the motion picture studio.
Ben-Hur. Miklós Rózsa’s music for Ben-Hur appeared only partially—and sporadically—on discs over the last 52 years. Its history on record began with three LPs recorded in conjunction with the film’s original release. (The first of these LPs has rarely been out of print, seeing numerous vinyl, tape and CD reissues.)
Miklós Rózsa. Music Department. Composer. Actor. IMDbPro Starmeter See rank. A child prodigy, Miklos Rózsa learned to play the violin at the age of five and read music before he was able to read words. In 1926, he began studying at the Leipzig Conservatory where he was considered a brilliant student. He obtained his doctorate in music in 1930.
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Rózsa left Leipzig for Paris in 1931, and two years later produced what was to become his first, major successful orchestral work, the Theme, Variations and Finale, Op. 13. While in Paris he met the Swiss composer Arthur Honegger who introduced Rózsa to the idea of writing music for films as a way of making a living. Initially, he wrote a ...
