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  1. Mar 28, 2024 · It truly is the kind of playlist that can please the entire room, from the new wave to the synth wave and pop sheen to post-punk grit. Listen to Robert Smith’s favourite songs of the 1980s below. Robert Smith’s favourite songs from the 1980s: ABC – ‘The Look of Love’ The Associates – ‘Tell Me Easter’s On Friday

  2. en.wikipedia.org › wiki › The_CureThe Cure - Wikipedia

    The Cure are an English rock band formed in 1978 in Crawley, West Sussex. [1] [2] [3] Throughout numerous lineup changes since the band's formation, guitarist, lead vocalist, and songwriter Robert Smith has remained the only constant member, though bassist Simon Gallup has been present for all but about three years of the band's history.

    • Robert Smith Guitar
    • Bass Guitars
    • Amplifiers
    • Effects Pedals

    Woolworths Top 20

    This trashy entry level instrument was bought by Smith as his first ever electric guitar, and was notorious for going out of tune mid-set or take while The Cure were operating in their early stages. Despite being an absolutely awful guitar, Smith’s adoration of the plywood instrument was well-known, and he even removed the bridge pickup of the instrument to install on his favourite Fender Jazzmaster.

    Fender Jazzmaster

    After he was convinced to buy a ‘real’ guitar as The Cure entered the studio to record their debut album Three Imaginary Boys (released in Australia as Boys Don’t Cry), Smith purchased a Fender Jazzmaster and installed the bridge pickup from his Woolworth Top 20 to retain its unique spanky sound, which he detailed in a chat with Guitar Player. “The extra pickup on that Jazzmaster is from a Woolworth’s Top 20 guitar—my very first electric,” he says. “I took it in to record our first album, alo...

    Fender XII

    In the late ’70s and early ’80s, Smith sporadically performed with fellow goth connoisseurs Siouxie and the Banshees, where he favoured a rare and jangly Fender XII.

    Fender Bass VI

    Ironically, many of Robert Smith’s most iconic guitar parts were actually performed on a bass guitar – the humble old Fender Bass VI, a baritone guitar which has seen a resurgence in popularity recently with various Fender reissues. Smith recorded his droning guitar part on ‘Pictures of You’ on his Fender Bass VI, and used it with a capo on ‘The Exploding Boy’ with a tonne of chorus to create a thick, lush sonic texture.

    Schecter Ultracure VI

    Nowadays, Smith relies on a Schecter UltraCure VI, essentially a baritone version of his signature model, when performing his Fender Bass VI parts live.

    A true chameleon, Smith is renowned for constantly switching up his amps to suit whatever sound he’s aiming for in his head – no favourites here. A classic solid-state Roland JC120 can be distinctly heard on The Cure’s early ’80s output, such as Seventeen Seconds and Pornography; however, later in the ’80s he began using valve combos more frequentl...

    Since the inception of The Cure, Robert Smith has tended to favour every day stompboxes from the likes of MXR and Boss over high-end boutique units, demonstrating his ethos as a guitarist and his penchant for creating remarkable tones from ordinary pieces of gear. Throughout the ’80s and ’90s, Smith’s main pedal setup was comprised of a Boss CH-1 S...

  3. Jul 8, 2004 · A lot of the stuff I was kind of ambivalent towards, like Slipknot, but my younger nephews swear by those bands. What I found that held it all together was the intensity – everything Ross did ...

  4. Jun 14, 2021 · But it sounds like when it does arrive, Cure fans could be in for a treat with their new material. Though it may also be a goodbye, of sorts. “The new Cure stuff is very emotional,” Smith reveals. “It’s ten years of life distilled into a couple of hours of intense stuff. I can’t think we’ll ever do anything else.”

  5. The Cure (formed in 1976) are an English rock band, originally comprised of primary songwriter Robert Smith, drummer Lol Tolhurst, and bassist Michael Dempsey—later replaced by

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  7. Jul 5, 2019 · So does Robert Smith, a man who has reshaped rock, indie, pop and beyond over a 40-plus year career still feel the weight of a night like this? “Not really,” he says, before clarifying ...

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