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  1. Aug 30, 2016 · It’s this that makes The Driver’s Seat so compelling and disturbing. It presents Lise as a madwoman in the attic. Her actions make no sense; they are morbid and unhinged. At the same time, her madness is a construct – and it’s built by the voices trying to take control of her story.

  2. Plot Summary. Muriel Spark’s novel The Driver’s Seat (1970) utilizes the present tense, giving the story a sense of urgency even though there is very little action. Lise is shopping for a colorful dress to wear on a trip on which she is about to embark.

  3. Nov 21, 2018 · The Driver’s Seat is amongst the crème de la crème of Spark’s fictional works and it features one of her most memorable and enigmatic heroines. This essay begins by taking the riddles posed by Lise at face value and follows their at times horrific, at times hilarious terms and implications to their logical (and illogical) conclusion.

    • Vassiliki Kolocotroni
    • 2018
  4. Nov 27, 2021 · What is The Driver’s Seat, aside from a riveting, deeply disturbing fiction? Is it a crime story? A horror tale? A macabre joke? A work of psychological suspense, a Dostoyevskian descent into madness? A steel-hard, ice-cold parody of a romance novel?

    • What makes the driver's seat so compelling and disturbing?1
    • What makes the driver's seat so compelling and disturbing?2
    • What makes the driver's seat so compelling and disturbing?3
    • What makes the driver's seat so compelling and disturbing?4
    • What makes the driver's seat so compelling and disturbing?5
  5. Mar 6, 2023 · For all its darkness and discomfort, The Drivers Seat is an absolute joy to read, crackling with Spark’s wild wit and deft characterisation. The novel’s seductive surface is the perfect counterpoint to its dark and disturbing themes, allowing it to sink its claws deep into the reader.

  6. Aug 9, 2021 · The Driver’s Seat presents the idea that oppressive patriarchy can drive people to do crazy things and cause them to self-sabotage. The novella also focuses on that idea that only a woman of ill mind would organise her own murder and therefore Spark’s text also negates any sense of victim-blaming.

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  8. Muriel Spark’s The Driver’s Seat is a radical metafictional experiment, suggesting the inexorable connections between contingency and a predetermined plot which are so common to many Sparkian novels.

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