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Since 1933, the Münchner Kammerspiele has been a municipal theater company of the City of Munich. In 1961, the Werkraumtheater has served as its second stage. In 2001, the company gained a rehearsal stage next to the Schauspielhaus in a large building designed by Gustav Peichl.
Founded in 1912, the Münchner Kammerspiele theatre company has been based at the chic theatre at Maximilianstrasse 26–28 since 1926. The theatre designed by the architect Richard Riemerschmid is the last remaining art nouveau style theatre in Germany.
The name derives from a theater, the Kammerspiele, opened in 1906 by a major stage director Max Reinhardt to stage intimate dramas for small audiences. Few Kammerspiel films were made, but nearly all are classics.
The name derives from a theater, the Kammerspiele, opened in 1906 by a major stage director Max Reinhardt to stage intimate dramas for small audiences. Few Kammerspiel films were made, but nearly all are classics. [3]
Kammerspiele, which opened in 1906, was a small stage where the audience members were seated in close physical proximity to the actors, without the usual barriers of orchestra pits or advanced theatre lighting.[1] This led to a more immediate contact between the audience and the actors and created a new bond between them.
Kammerspielfilm, a distinctive film movement, took root in early 20th century Germany. Its name, derived from “Kammerspieltheater”, reflects intimate chamber plays that emphasized character psychology over sprawling sets.
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In October 1922, following on from the success the previous month of the première of Drums in the Night at the Munich Kammerspiele, Brecht was appointed to the dramaturgical team of the theatre and was immediately given the task of rewriting and adapting Marlowe's Edward II.
