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Harold Crick is an Internal Revenue Service (IRS) agent living a solitary life of strictly scheduled routine. On the day he is assigned to audit an intentionally tax-delinquent baker named Ana Pascal, Harold begins hearing the voice of a woman narrating his life.
Nov 10, 2006 · With Will Ferrell, William Dick, Guy Massey, Martha Espinoza. I.R.S. auditor Harold Crick suddenly finds his mundane Chicago life to be the subject of narration only he can hear: narration that begins to affect his entire existence, from his work to his love life to his death.
- (237K)
- Comedy, Drama, Fantasy
- Marc Forster
- 2006-11-10
Stranger than Fiction. by Marc Forster. Buy Study Guide. Stranger than Fiction Summary and Analysis of Part 1: Harold Crick. Summary. A narrator tells us that we are about to see “a story about a man named Harold Crick ” as the camera zooms in rapidly on the wristwatch on Harold’s nightside table.
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Harold Crick. Harold Crick is the main character of the film, as well as the hapless protagonist in the novel that Karen Eiffel is writing. At the start of the film, Harold is exceedingly precise and calculating, brushing his teeth a certain number of times and being especially precise about time.
Aug 3, 2022 · Stranger than Fiction Plot Summary. The film opens with establishing for the audience just how monochromic and solitary life is for the protagonist, Senior IRS Agent Harold Crick (Farrell), and then goes on to introduce the narrator, a voice in his head that seems to know everything about him.
***** Harold Crick (Will Ferrell) is an auditor for the Internal Revenue Service, living his entire life based on the timing of his wristwatch. He is given the job to audit an intentionally tax-delinquent baker, Ana Pascal (Maggie Gyllenhaal) to whom he is awkwardly attracted.
As strange as it may seem, Harold begins hearing a voice in his head one day that begins to narrate his life just before it happens. Thinking he’s going mad, Harold seeks the advice of a literature professor, who tells him that he must discover whether the narration is a comedy or a tragedy.
