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  1. Der Blaue Reiter ( The Blue Rider) was a group of artists and a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication activities, in which both artists acted as sole editors in the almanac of the same name, first published in mid-May 1912.

  2. The name "Der Blaue Reiter" referred to Kandinsky and Marc's belief that blue was the most spiritual color and that the rider symbolized the ability to move beyond. In searching for a language that would express their unique approach to abstract visual form, the artists of Der Blaue Reiter drew parallels between painting and music.

  3. German: “The Blue Rider” Date: 1911 - 1914. Areas Of Involvement: abstract art. Der Blaue Reiter, organization of artists based in Germany that contributed greatly to the development of abstract art.

    • The Editors of Encyclopaedia Britannica
  4. The collective's name is said to derive from Kandinsky's 1903 painting The Blue Rider, which symbolises the freedom and journey of the artist's spirit. Through their innovative approach to colour, form, and media, the Blue Rider artists significantly influenced the development of European modern art.

  5. Dec 8, 2023 · The name of the group Der Blaue Reiter was derived from the work of Wassily Kandinsky whose motifs of the horse and its rider became a key symbol of the movement beyond its representational value. Franz Marc also used the subject of horses and other animals alongside color to embody rebirth.

    • ( Content Editor, Art Writer, Photographer )
  6. Using a visual vocabulary of abstract forms and prismatic colors, Blaue Reiter artists explored the spiritual values of art as a counter to [what they saw as] the corruption and materialism of their age. The name, meaning “blue rider,” refers to a key motif in Kandinskys work: the horse and rider.

  7. Jan 31, 2024 · Color was a central element in Der Blaue Reiter artworks. Artists from the movement were renowned for their bold and expressive use of color. While the movement’s name, “The Blue Rider,” suggests a particular affinity for the color blue, their palette was far more diverse.

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