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Proclivity for eliciting strong performances from actresses
- Because of his proclivity for eliciting strong performances from actresses (especially in his later collaborations with Hepburn), Cukor was often referred to as a “woman’s director,” a label he did not particularly like, not only because he felt—justifiably—that he directed men well too but also because it seemed to cast aspersions on his sexuality.
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May 2, 2019 · Cukor, one of Hollywood’s finest directors and the man who has directed Hepburn and Garbo in some of their best, is known as a woman’s director . . . Mr. Gable became aware of these two facts and became suddenly unhappy, not without reason, one must admit.”. —“Cal York’s Gossip of Hollywood,” Photoplay, May 1939.
Aug 31, 2017 · When most people think of George Cukor, for instance, they may recall one or more of his finest films, or that he was known as a “woman’s director” — an observation he resented, and for good reason. It was limiting, while Cukor’s talent was virtually limitless.
Aug 18, 2020 · Nonetheless, the generally accepted wisdom was that Cukor was largely adept at directing women solely because he was a gay man. Why Cukor was fired from Gone with the Wind has never been officially confirmed, but an excerpt from Photoplay magazine maintains that “ Gone with the Wind is a woman’s story…Mr. Cukor, one of Hollywood’s ...
- Biography
- Early Hollywood Career
- MGM 1934
- 'Gone with The Wind'
- Later Career
- Personal Life
After graduation he began studying law at the City College of New York but the lure of the stage was too strong and he left formal education. After a period undergoing military training with the Student Army Training Corps in 1918, he became a stage manager first for a stock company in Chicago, then, on his return to New York in 1919 for a company ...
After gaining experience as a co-director of 3 films for Paramount, he fulfilled his first solo assignment as director in 1931 with 'The Tarnished Lady', followed by 'Girls About Town' in the same year. In 1932 Cukor moved to RKO studios to join the rising star, David O Selznick, and, in the same year, he started a long association and friendship w...
Cukor's next Academy Award nomination was in 1936 for 'Romeo and Juliet' and in 1937 he directed the Hollywood legend, actress Greta Garbo, in 'Camille'. He was now one of Hollywood's top directors and was beginning to get a reputation for coaxing brilliant performances from his actors and in particular, his actresses. Around this time he became kn...
The reasons for his sacking are unclear. Clark Gable is alleged to have said "I won't be directed by a fairy" or it may have been Gable's fear that his own brief homosexuality as a young man might be made public knowledge. It did not harm Cukor's career for as soon as he became available he was snapped up by Hunt Stromberg, producer of 'The Women',...
In the 1970's he made the television films 'Love Among the Ruins' and 'The Corn Is Green', both with his old friend, Katharine Hepburn. He directed his last film, 'Rich and Famous' with Candice Bergman in 1981.
In addition his home became the venue for regular parties for the Hollywood great and good and his guests knew that they would always find the best of everything - company, food, and a beautiful atmosphere when they visited. George Cukor died from natural causes at the age of 83 in 1983. He was interred in the Forest Lawn Memorial Park Cemetery in ...
Nov 22, 2002 · The “women’s director” discovered Cary Grant as a romantic comedian in SYLVIA SCARLETT, launched the careers of Jack Lemmon, Aldo Ray, Tom Ewell and Anthony Perkins as well as Katharine...
Cukor quickly earned a reputation as a director who could coax great performances from actresses and he became known as a "woman's director", a title he resented.
Oct 28, 2004 · Cukor may have been known as a woman’s director, but he never made a real weepie woman’s picture, just as he never handled a generic men’s action film (the wartime assignment Winged Victory [1944] being the only exception). He never worked on screen with Bette Davis or Barbara Stanwyck, and the ideal Cukor woman, Katharine Hepburn, is as ...
