Gunsmoke
1955
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Movies & TV Shows
- Shane1953
- Mr. Smith Goes to Washington1939
- You Can't Take It With You1938
- The More the Merrier1943
- A Foreign Affair1948
- History Is Made at Night1937
- The Iron Horse1925
- The Canary Murder Case1929
- Easy Living1937
Paramount on Parade1930- Too Many Husbands1940
- The Mysterious Dr. Fu Manchu1929
- A Lady Takes a Chance1943
- Public Hero No. 11935
- The Impatient Years1944
- Adventure in Manhattan1936
- More Than a Secretary1936
This is the filmography of Jean Arthur (October 17, 1900 – June 19, 1991), including her television work.
She starred as the lead in the acclaimed and highly successful comedy films The Devil and Miss Jones (1941) and A Foreign Affair (1948), the latter of which she starred alongside Marlene Dietrich.
Aug 26, 2024 · Over 300 filmgoers have voted on the 30+ films on Jean Arthur Movies List, Ranked. Current Top 3: The More the Merrier, Mr. Deeds Goes to Town, Mr. Smith Goes ...
Jean Arthur. Actress: You Can't Take It with You. This marvelous screen comedienne's best asset was only muffled during her seven years' stint in silent films. That asset? It was, of course, her squeaky, frog-like voice, which silent-era cinema audiences had simply no way of perceiving, much less appreciating.
- January 1, 1
- Plattsburgh, New York, USA
- January 1, 1
- Carmel, California, USA
See Jean Arthur full list of movies and tv shows from their career. Find where to watch Jean Arthur's latest movies and tv shows.
During the World War II housing shortage in Washington, two men and a woman share a single apartment and the older man plays Cupid to the other two. Director George Stevens Stars Jean Arthur Joel McCrea Charles Coburn. Role: Connie Milligan. Jean was nominated for the Academy Award - Best Actress.
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Jean Arthur. Actress: You Can't Take It with You. This marvelous screen comedienne's best asset was only muffled during her seven years' stint in silent films. That asset? It was, of course, her squeaky, frog-like voice, which silent-era cinema audiences had simply no way of perceiving, much less appreciating.
