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  1. There is no clear line between subjectivity and objectivity; only by rough heuristics do we decide to categorize things into one box or the other. Grey areas wind up becoming the subject of fervent debate (see: music). An example of cut-and-dry objectivity is the existence of a dog on the sidewalk.

  2. Subjectivity here appears to refer to the experience of music as akin to a living being, an animate consciousness, but such that the experience may be of an apparent immediacy that shades it into a privileged first-person perspective.

  3. Feb 24, 2014 · This claim doesn’t come from a subjective, opinion-filled standpoint. We can take a purely objective approach when deciding whether music is truly good or bad with a completely non-biased perspective. However, objectivity is no longer the norm for judging music.

  4. There is nothing subjective about a recorded song in and of itself. Each person that hears the track will hear the exact same thing every single time it’s played. What makes a song a subjective experience isn’t the song itself, but rather the mental, emotional, and physical environment each listener is in when the song is heard.

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  5. Apr 23, 2024 · Five Experts. Objective. Media critique. music taste. Register now. Everyone has a favourite band, or a favourite composer, or a favourite song. So if we all have our own opinions on music,...

    • Sam Whiting
  6. Jun 9, 2021 · While these approaches may be consistent within themselves, categorizing music via questionnaires is susceptible to subjective interpretation and may not be consistent between studies that measure preference for perceived auditory stimuli.

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  8. What music makes us feel: At least 13 dimensions organize subjective experiences associated with music across different cultures | PNAS. Current Issue Latest Articles Special Features List of Issues PNAS Nexus. Front Matter. Information for Authors Editorial and Journal Policies Submission Procedures Publication Charges. Topics. Physical Sciences.

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