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Principais filmes produzidos. Above Suspicion, de Richard Thorpe, com Joan Crawford, Fred MacMurray e Conrad Veidt; Amor de Perdição, de António Lopes Ribeiro; Bitva za nashu Sovetskuyu Ukrainu, de Aleksandr Dovzhenko
La reine morte de José Leitão de Barros, avec Antonio Vilar. La Route semée d'étoiles ( Going My Way) de Leo McCarey avec Bing Crosby et Barry Fitzgerald. Laura d' Otto Preminger avec Gene Tierney et Dana Andrews. Le Chant du Missouri ( Meet Me in St. Louis) de Vincente Minnelli avec Judy Garland.
Cinéma vérité (UK: / ˌ s ɪ n ɪ m ə ˈ v ɛr ɪ t eɪ /, US: /-ˌ v ɛr ɪ ˈ t eɪ /, French: [sinema veʁite] lit. truth cinema; "truthful cinema") is a style of documentary filmmaking developed by Edgar Morin and Jean Rouch, inspired by Dziga Vertov's theory about Kino-Pravda. It combines improvisation with use of the camera to unveil ...
Grand Prix au film Le Voleur de bicyclette de Vittorio De Sica du Deuxième Festival Mondial du Film et des Beaux-Arts de Belgique dont les assises se sont tenues au Casino de Knokke [1]. Grand Prix du premier Festival international du cinéma expérimental de Knokke-le-Zoute à Motion Painting n o 1 d'Oskar Fischinger.
Cinéma vérité is a documentary film-making style combining naturalistic techniques with stylized cinematic devices. Cinéma vérité may refer to: Cinema Verite (2011 film), a film by HBO Films about the making of the television series An American Family. Cinéma Vérité: Defining the Moment, a 1999 documentary film. Cinéma Vérité (album ...
Cinéma vérité ( totuuselokuva tai totuudenmukainen elokuva) on alun perin Jean Rouchin kehittämä dokumenttielokuvan lajityyppi, joka sai vaikutteita Dziga Vertovin kinopravdasta ja Robert J. Flahertyn elokuvista. Cinéma véritéssä pyritään paljastamaan kätketty totuus tai kiinnittämään huomio arkitodellisuuden taakse piiloutuviin ...
André Andrejew. André Andrejew (21 January 1887 – 13 March 1967) was one of the most important art directors of the international cinema of the twentieth century. He had a distinctive, innovative style. His décors were both expressive and realistic. French writer Lucie Derain described Andrejew at the peak of his career as "an artist of ...
