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Nicholas Christopher, Somewhere in the Night (1997) While many critics refer to film noir as a genre itself, others argue that it can be no such thing. Foster Hirsch defines a genre as determined by "conventions of narrative structure, characterization, theme, and visual design." Hirsch, as one who has taken the position that film noir is a genre, argues that these elements are present "in ...
- Italian Neorealism
Italian neorealism (Italian: Neorealismo), also known as the...
- German Expressionism
The style extended to a wide range of the arts, including...
- Robert Siodmak
Early life. Siodmak was born in Dresden, Germany, the son of...
- Stranger on The Third Floor
Stranger on the Third Floor is a 1940 American film noir...
- The Set-Up
The Set-Up is a 1949 American film noir boxing drama...
- The Big Combo
The Big Combo is a 1955 American crime film noir directed by...
- Italian Neorealism
2 Tone Records. reggae rock. Two-tone or 2 tone, also known as ska-rock[citation needed] and ska revival, [1] is a genre of British popular music of the late 1970s and early 1980s that fused traditional Jamaican ska, rocksteady, and reggae music with elements of punk rock and new wave music. [1] Its name derives from 2 Tone Records, a record ...
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- Overview
- History
- Pure and Hybrid Genres
- Audience Expectations
- Categorization
- Film in The Context of History
- Further Reading
- External Links
Characteristics
Characteristics of particular genres are most evident in genre films, which are "commercial feature films [that], through repetition and variation, tell familiar stories with familiar characters and familiar situations" in a given genre. Drawing heavily from the theories of literary-genre criticism, film genres are usually delineated by conventions, iconography, narratives, formats, characters, and actors, all of which can vary according to the genre. In terms of standard or "stock" character...
From the earliest days of cinema in the 19th century the term "genre" (already in use in English with reference to works of art or literary production from at least 1770) was used to organize films according to type.By the 1950s André Bazin was discussing the concept of "genre" by using the Western film as an example; during this era, there was a d...
Films are rarely purely from one genre, which is in keeping with the cinema's diverse and derivative origins, it being a blend of "vaudeville, music-hall, theatre, photography" and novels. American film historian Janet Staiger states that the genre of a film can be defined in four ways. The "idealist method" judges films by predetermined standards....
Many genres have built-in audiences and corresponding publications that support them, such as magazines and websites. For example, horror films have a well-established fanbase that reads horror magazines such as Fangoria. Films that are difficult to categorize into a genre are often less successful. As such, film genres are also useful in the areas...
Because genres are easier to recognize than to define, academics agree they cannot be identified in a rigid way. Furthermore, different countries and cultures define genres in different ways. A typical example are war movies. In United States, they are mostly related to ones with large U.S. involvement such as World wars and Vietnam, whereas in oth...
In order to understand the creation and context of each film genre, we must look at its popularity in the context of its place in history. For example, the 1970s Blaxploitation films have been called an attempt to "undermine the rise of Afro-American's Black consciousness movement" of that era. In William Park's analysis of film noir, he states tha...
Altman, Rick (1999) Film/Genre London: British Film Institute ISBN 9780851707174Friedman, Lester et al. An Introduction to Film Genres. New York: W. W. Norton & Company, 2014 ISBN 978-0-393-93019-1609p.Gehring, Wes D (1988) Handbook of American Film Genres New York: Greenwood Press ISBN 9780313247156Grant, Barry Keith. Film Genre Reader I, II & III. Austin: University of Texas Press, 1986, 1995, 2003Genres of film at the Internet Movie Database"A Semantic/Syntactic Approach to Film Genre", by Rick Altman SCRIBD[permanent dead link] academia.edu (PDF)JSTOR 1225093Apr 3, 2009 · The Film Scores of Adolph Deutsch. You need to start somewhere, and the best place is probably with Adolphe Deutsch. Though capable of creating melody, Deutsch indulged in his noir scores a tonal experimentation that suggests the influence of Schönberg—an appropriate choice for a film genre so heavily indebted to the look and feel of German expressionism.
Jan 15, 2024 · Film noir is a genre of cinema that emerged in the 1940s and 1950s, characterized by its dark and cynical themes, shadowy visuals, and morally ambiguous characters. These films were often low-budget productions that focused on the seedy underbelly of American society, featuring hard-boiled detectives, femme fatales, and dangerous criminals.
Nov 27, 2020 · Twenty-first century noir. The term film noir may have come to refer to a body of US films made between 1941 and 1958, but it also conjures up a potent blend of cinematic style and dark material that still inspires directors around the world, among them the most formidable names in Hollywood and in arthouse cinema: Nolan, Lynch, Campion, Mann ...
Oct 6, 2019 · In 1946, French critics came up with the term "film noir" to describe the dark mood of these new films, and the name stuck, even though it didn't become widely used until years later. Film noir became one of the most popular genres in the 1940s, and this continued into the 1950s. The 1940s and 1950s are still regarded as the high point of film ...
