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  1. Two-tone or 2 tone, also known as ska-rock [citation needed] and ska revival, is a genre of British popular music of the late 1970s and early 1980s that fused traditional Jamaican ska, rocksteady, and reggae music with elements of punk rock and new wave music.

  2. Mar 22, 2024 · 22 March 2024. 2 Tone music started in Coventry in the 1970s. Here’s a quick guide introducing the style if you haven’t heard of it before. What is 2 Tone music? 2 Tone music was a...

  3. The music of Albania ( Albanian: Muzika Shqiptare) is associated with the country of Albania and Albanian communities. Music has a long tradition in the country and is known for its regional diversity, from the Ghegs in the North to the Tosks in the South. It is an integral part of the national identity, strongly influenced by the country's ...

  4. May 25, 2016 · Two Tone was a specifically British, or more accurately English, musical genre that came out of punk and ska in the late 1970s. The roots of Two Tone can be traced back to the arrival of West Indians to England—the so-called “Windrush Generation”—under the British Nationality Act of 1948.

  5. With its message of unity, 2 Tone burned bright as the embers of punk faded and offered hope to a generation lost. Forty years on from its inception, Classic Pop talks to its prime players: Jerry Dammers, Lynval Golding and Neville Staple of The Specials, The Selecter’s Pauline Black and the late Ranking Roger of the beat, to tell the true story of a label that morphed into a whole genre

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  6. Two-tone or 2 tone is a genre of British popular music of the late 1970s and early 1980s that fused traditional Jamaican ska music with elements of punk rock and new wave music.

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  8. May 26, 2015 · 4. THE SPECIALS – Stupid Marriage. It’s such a good lyric, and that was (The Specials and 2-Tone Records founding member) Jerry Dammer’s forte. He was always taking something and making a really great lyric around it; fitting it to music that was already there, but taking it and making something much more of it. 3.

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