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  1. Portrait of Beethoven as a young man (1801) by Carl Traugott Riedel (1769–1832) Beethoven was born in Bonn in 1770, about 14 years after Mozart (born Salzburg, 1756). In 1781, during Beethoven's childhood, Mozart had moved from Salzburg to Vienna, the Austrian imperial capital, to pursue his career. While Bonn was politically and culturally ...

  2. Further spurious and doubtful symphonies can be found at Mozart symphonies of spurious or doubtful authenticity . The symphonies K. 19b, 66c, 66d, 66e, Anh.C 11.07, and Anh.C 11.08 are lost, and it is uncertain whether they are Mozart's work: they have not been included in the list below. The symphony numbers in the range 42 to 56 are sometimes ...

  3. Wolfgang Amadeus Mozart (1756-1791)SYMPHONY NO. 40 in G minor, K. 550Wiener PhilharmonikerKARL BÖHM, conductorRecording: Kleines Festspielhaus, Salzburg, Aug...

    • 12K
    • Wahnfried
  4. Aug 5, 2012 · Symphony No. 40 by Wolfgang Amadeus Mozart.Played and recorded by Columbia University Orchestra and published as a Public Domain.Wolfgang Amadeus Mozart bapt...

    • Aug 5, 2012
    • 112.5K
    • Amit Hadary
  5. I. Molto allegro. The first movement begins darkly, not with its first theme but with the accompaniment, played by the lower strings with divided violas.The technique of beginning a work with an accompaniment figure was later used by Mozart in his last piano concerto (KV. 595) and later became a favorite of the Romantics (examples include the openings of Mendelssohn's Violin Concerto and ...

    • 1788
    • K. 550
  6. Lecture 18 - Piano Music of Mozart and Beethoven Overview. This lecture addresses the history of the modern piano and its music. Undertaking a detailed discussion of the different forms of the piano from the early eighteenth through twentieth centuries, Professor Wright also shows how the instrument evolved through a variety of photographs and paintings.

  7. However, according to Leopold's report, at the first performance of Piano Concerto No. 20 in D Minor (K. 466), Mozart, who was the soloist and conductor, used his own piano, equipped with a pedal-board. Presumably the pedal-board was used to reinforce the left-hand part, or add lower notes than the standard keyboard could play.

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