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The Music of John Barry: The Definitive Collection. A new music service with official albums, singles, videos, remixes, live performances and more for Android, iOS and desktop.
Sophia Loren In Rome - catchy, summery European light music superbly orchestrated 5. The EMI Years - not film music but the seeds of his later style are there Good choice on BOOM!, I love that, it's an underrated and unusual entry in Barry's canon.
Nov 27, 2015 · UK. 2015. View credits, reviews, tracks and shop for the 2015 CD release of "Soundtracks And Singles 1963-1966" on Discogs.
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- UK
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- 3 x CD, Compilation, Stereo, Mono
- Zulu (1964) Barry used the bold rhythms of real Zulu war chants to bring a majestic, forbidding quality to his sparing score for this suspenseful true story of courage on both sides of the Battle of Rorke’s Drift.
- Goldfinger (1964) Reputedly Barry’s favourite of his own soundtracks, his second full 007 score gleams with brassy panache and features some of his most striking background music, like the vivacious ‘Into Miami’, as well as the Shirley Bassey hit that remains for many the archetypal Bond theme song.
- The Ipcress File (1965) For espionage more gloomy than glamorous, Barry concocted a modern, sardonic sound inspired by the famous Anton Karas score for The Third Man (1949), which was ideal for the bleak world of Len Deighton’s spy Harry Palmer.
- Born Free (1966) Winner of two Oscars (for original score and song), this is a prime example of Barry’s ability to capture the grandeur of spectacular locations (here, the African veldt) alongside the playful intimacy of the story’s domestication of some orphaned lion cubs.
View credits, reviews, tracks and shop for the 2001 CD release of "Lounge Legends" on Discogs.
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