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  1. Apr 20, 2009 · Based on a novel by Netta Syrett, A Woman Rebels is the story of Pamela Thistlewaite (Katharine Hepburn), whose mission in life is to defy the restrictive and often hypocritical conventions of Victorian England. Refusing to conform to the status quo, Pamela lives alone, reads, and says...

  2. Aug 15, 2016 · Margaret Sanger: The Woman Rebel Description Document Discussion Questions Extension Activities Standards Additional Resources Contact Us Description At the turn of the last century, wide knowledge of common sense birth control strategies was extremely poor. Millions of immigrants and the urban poor suffered in silence and ignorance of ways to limit the size of their families. Inspired by the ...

  3. gender roles of wife and mother.23 These women in films—the career woman, the mother, the wife, the girlfriend, the bad girl, the gangster's. became part of the culture and the national psyche. gender roles reflected and at the same time influenced way women and men thought about themselves and. other in the 1930s.

  4. A Victorian-era woman struggles to break free of the moral codes established by society and enforced by her father.

  5. May 16, 2018 · The Woman Rebel (1914) In the early twentieth century, birth control advocate Margaret Sanger published eight issues of a feminist magazine called The Woman Rebel. During this time, discussion of sex education, birth control, and abortion were illegal. The magazine featured literary pieces on topics like women’s rights, love and marriage ...

  6. A Woman Rebels (1936), a period piece with a strong feminist bent, was similarly rejected by the public and critics alike, as were her other projects around this time. In the late '30s, Hepburn began winning the critics back, but audiences seemed to have permanently turned on her.

  7. A Woman Rebels is a 1936 RKO film adapted from the novel Portrait of a Rebel by Netta Syrett and starring Katharine Hepburn as Pamela Thistlewaite, who rebels against the social mores of Victorian England. The film was directed by Mark Sandrich, was the film debut of Van Heflin, and the final film of David Manners.

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