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- John Bryan and Wilfred Shingleton won the Academy Award for Best Art Direction, Black-and-White, while Guy Green won for Best Cinematography, Black-and-White.
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Cinematography (Black-and-White) - George Barnes Directing - Alfred Hitchcock Best Motion Picture - Selznick International Pictures Special Effects - Photographic Effects by Jack Cosgrove
From 1939 to 1967 with the exception of 1957, there were also separate awards for color and black-and-white cinematography. After Who's Afraid of Virginia Woolf? (1966), the most recent black-and-white films to win since then are Schindler's List (1993), Roma (2018) and Mank (2020).
- Overview
- 1920s and 1930s
- 1940s and 1950s
- 1960s and 1970s
- 1980s and 1990s
- 2000s and 2010s
- 2020s
award presented annually by the Academy of Motion Picture Arts and Sciences, located in Beverly Hills, California. It honors outstanding achievement by a cinematographer in a movie from a given year, as determined by the academy’s voting members.
At the inaugural Academy Awards ceremony, in 1929, the award recognized the work in films released from August 1, 1927, to August 1, 1928. The next 5 ceremonies honored work in films released from August to July. Beginning with the 7th ceremony (1935), only work in movies released the previous calendar year was eligible for consideration. In the 9th through 11th ceremonies (1936–38), a special award was given for color cinematography, and from the 12th to the 39th ceremonies (1939–66), except for the 30th ceremony (1957), separate Academy Awards were given for color and black-and-white cinematography. The winning cinematographers are given a gold-plated statuette known as an Oscar.
•1927–28: Charles Rosher and Karl Struss (Sunrise)
•1928–29: Clyde De Vinna (White Shadows in the South Seas)
•1929–30: Joseph T. Rucker and Willard Van Der Veer (With Byrd at the South Pole)
•1930–31: Floyd Crosby (Tabu)
•1931–32: Lee Garmes (Shanghai Express)
•1932–33: Charles Bryant Lang, Jr. (A Farewell to Arms)
•1940: Black-and-White: George Barnes (Rebecca); Color: Georges Périnal (The Thief of Bagdad)
•1941: Black-and-White: Arthur Miller (How Green Was My Valley); Color: Ernest Palmer and Ray Rennahan (Blood and Sand)
•1942: Black-and-White: Joseph Ruttenberg (Mrs. Miniver); Color: Leon Shamroy (The Black Swan)
•1943: Black-and-White: Arthur Miller (The Song of Bernadette); Color: Hal Mohr and W. Howard Greene (Phantom of the Opera)
•1944: Black-and-White: Joseph LaShelle (Laura); Color: Leon Shamroy (Wilson)
•1945: Black-and-White: Harry Stradling (The Picture of Dorian Gray); Color: Leon Shamroy (Leave Her to Heaven)
•1960: Black-and-White: Freddie Francis (Sons and Lovers); Color: Russell Metty (Spartacus)
•1961: Black-and-White: Eugen Shuftan (The Hustler); Color: Daniel L. Fapp (West Side Story)
•1962: Black-and-White: Jean Bourgoin and Walter Wottitz (The Longest Day); Color: Freddie Young (Lawrence of Arabia)
•1963: Black-and-White: James Wong Howe (Hud); Color: Leon Shamroy (Cleopatra)
•1964: Black-and-White: Walter Lassally (Zorba the Greek); Color: Harry Stradling (My Fair Lady)
•1965: Black-and-White: Ernest Laszlo (Ship of Fools); Color: Freddie Young (Doctor Zhivago)
•1980: Geoffrey Unsworth and Ghislain Cloquet (Tess)
•1981: Vittorio Storaro (Reds)
•1982: Billie Williams and Ronnie Taylor (Gandhi)
•1983: Sven Nykvist (Fanny & Alexander)
•1984: Chris Menges (The Killing Fields)
•1985: David Watkin (Out of Africa)
•2000: Peter Pau (Crouching Tiger, Hidden Dragon)
•2001: Andrew Lesnie (The Lord of the Rings: The Fellowship of the Ring)
•2002: Conrad L. Hall (Road to Perdition)
•2003: Russell Boyd (Master and Commander: The Far Side of the World)
•2004: Robert Richardson (The Aviator)
•2005: Dion Beebe (Memoirs of a Geisha)
- The Editors of Encyclopaedia Britannica
Mar 28, 2021 · The Hustler is the first black and white film on our list, and was awarded the Best Achievement in Cinematography Oscar back when the category was still divided into black and white and color sub-categories.
Cinematography (Black-and-White) - Joseph Ruttenberg Best Motion Picture - Metro-Goldwyn-Mayer Writing (Screenplay) - John Van Druten, Walter Reisch, John L. Balderston
Apr 19, 2024 · From 1929 to 1967, there were separate awards for color and black-and-white cinematography. Floyd Crosby won the award for Tabu in 1931, the last silent film to win in this category. Hal Mohr won the only write-in Academy Award in 1935 for Cleopatra.
Best Cinematography, Black-and-White Best Cinematography, Color; The Picture of Dorian Gray – Harry Stradling‡ The Keys of the Kingdom – Arthur C. Miller; The Lost Weekend – John F. Seitz; Mildred Pierce – Ernest Haller; Spellbound – George Barnes; Leave Her to Heaven – Leon Shamroy‡ Anchors Aweigh – Robert Planck and Charles ...
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%201946&ck=4B040B2F8A1237F7774BF2F6B3E7E5ED&idpp=rc&idpview=singleimage&form=rc2idp "Academy Award for Cinematography (Black-and-White) 19464")
%201946&ck=E2C6F2AEC2C2D6F0E061F6ED5B5BCE17&idpp=rc&idpview=singleimage&form=rc2idp "Academy Award for Cinematography (Black-and-White) 19465")
