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  2. Art Direction (Black-and-White) - Art Direction: George W. Davis, Urie McCleary; Set Decoration: Henry Grace, Charles S. Thompson Cinematography (Black-and-White) - Robert Burks Music (Music Score--substantially original) - Jerry Goldsmith

    • Best Picture
    • Directing
    • Actor
    • Actress
    • Actor in A Supporting Role
    • Actress in A Supporting Role
    • Writing
    • Music
    • Film Editing
    • Cinematography

    Alfie – Lewis Gilbert A Man for All Seasons – Fred Zinnemann The Russians Are Coming The Russians Are Coming – Norman Jewison The Sand Pebbles – Robert Wise Who’s Afraid of Virginia Woolf?– Ernest Lehman

    Blow-Up – Michelangelo Antonioni A Man and a Woman – Claude Lelouch A Man for All Seasons – Fred Zinnemann The Professionals – Richard Brooks Who’s Afraid of Virginia Woolf?– Mike Nichols

    Alan Arkin – The Russians Are Coming The Russians Are Coming Richard Burton – Who’s Afraid of Virginia Woolf? Michael Caine – Alfie Steve McQueen – The Sand Pebbles Paul Scofield – A Man for All Seasons

    Anouk Aimee – A Man and a Woman Ida Kaminska – The Shop on Main Street Lynn Redgrave – Georgy Girl Vanessa Redgrave – Morgan! Elizabeth Taylor – Who’s Afraid of Virginia Woolf?

    Mako – The Sand Pebbles James Mason – Georgy Girl Walter Matthau – The Fortune Cookie George Segal – Who’s Afraid of Virginia Woolf? Robert Shaw – A Man for All Seasons

    Sandy Dennis – Who’s Afraid of Virginia Woolf? Wendy Hiller – A Man for All Seasons Jocelyne Lagarde – Hawaii Vivien Merchant – Alfie Geraldine Page – You’re a Big Boy Now

    Alfie – Bill Naughton A Man for All Seasons – Robert Bolt The Professionals – Richard Brooks The Russians Are Coming The Russians Are Coming – William Rose Who’s Afraid of Virginia Woolf?– Ernest Lehman

    “Alfie” – Alfie – Music by Burt Bacharach; Lyrics by Hal David “Born Free” – Born Free – Music by John Barry; Lyrics by Don Black “Georgy Girl” – Georgy Girl – Music by Tom Springfield; Lyrics by Jim Dale “My Wishing Doll” – Hawaii – Music by Elmer Bernstein; Lyrics by Mack David “A Time For Love” – An American Dream– Music by Johnny Mandel; Lyrics...

    Fantastic Voyage – William B. Murphy Grand Prix – Fredric Steinkamp, Henry Berman, Stewart Linder, Frank Santillo The Russians Are Coming The Russians Are Coming – Hal Ashby, J. Terry Williams The Sand Pebbles – William Reynolds Who’s Afraid of Virginia Woolf?– Sam O’Steen

    The Fortune Cookie – Joseph LaShelle Georgy Girl – Ken Higgins Is Paris Burning? – Marcel Grignon Seconds – James Wong Howe Who’s Afraid of Virginia Woolf?– Haskell Wexler

  3. This was the last year that separate awards were given for black-and-white and color films in Cinematography, Art Direction-Set Decoration, and Costume Design. Mitzi Gaynor's performance of the song " Georgy Girl " is often cited as being one of the most heralded performances on an Oscar broadcast.

    Best Picture
    Best Director
    A Man for All Seasons – Fred Zinnemann, ...
    Fred Zinnemann – A Man for All Seasons ‡ ...
    Paul Scofield – A Man for All Seasons as ...
    Elizabeth Taylor – Who's Afraid of ...
    Walter Matthau – The Fortune Cookie as ...
    Sandy Dennis – Who's Afraid of Virginia ...
    A Man and a Woman – Screenplay by Claude ...
    A Man for All Seasons – Robert Bolt based ...
  4. After Who's Afraid of Virginia Woolf? (1966), the most recent black-and-white films to win since then are Schindler's List (1993), Roma (2018) and Mank (2020). Floyd Crosby won the award for Tabu in 1931, which was the last silent film to win in this category. Hal Mohr won the only write-in Academy Award ever, in 1935 for A Midsummer Night's Dream.

  5. Art Direction (Black-and-White) - Art Direction: Robert Luthardt; Set Decoration: Edward G. Boyle Cinematography (Black-and-White) - Joseph LaShelle Writing (Story and Screenplay--written directly for the screen) - Billy Wilder, I. A. L. Diamond

  6. Cinematography (Black-and-White) - Charles B. Lang, Jr. Music (Song) - The Facts Of Life in "The Facts of Life" Music and Lyrics by Johnny Mercer Writing (Story and Screenplay--written directly for the screen) - Norman Panama, Melvin Frank

  7. In the 9th through 11th ceremonies (1936–38), a special award was given for color cinematography, and from the 12th to the 39th ceremonies (1939–66), except for the 30th ceremony (1957), separate Academy Awards were given for color and black-and-white cinematography.

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