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* Cinematography (Color) - Leon Shamroy * Costume Design (Color) - Irene Sharaff, Vittorio Nino Novarese, Renie * Special Effects - Emil Kosa, Jr. Actor - Rex Harrison Film Editing - Dorothy Spencer Music (Music Score--substantially original) - Alex North
- Best Picture
- Directing
- Actor
- Actress
- Actor in A Supporting Role
- Actress in A Supporting Role
- Writing
- Music
- Film Editing
- Cinematography
Becket – Hal B. Wallis Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb – Stanley Kubrick Mary Poppins – Walt Disney, Bill Walsh My Fair Lady – Jack L. Warner Zorba the Greek– Michael Cacoyannis
Becket – Peter Glenville Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb – Stanley Kubrick Mary Poppins – Robert Stevenson My Fair Lady – George Cukor Zorba the Greek– Michael Cacoyannis
Richard Burton – Becket Rex Harrison – My Fair Lady Peter O’Toole – Becket Anthony Quinn – Zorba the Greek Peter Sellers – Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Julie Andrews – Mary Poppins Anne Bancroft – The Pumpkin Eater Sophia Loren – Marriage Italian Style Debbie Reynolds – The Unsinkable Molly Brown Kim Stanley – Seance on a Wet Afternoon
John Gielgud – Becket Stanley Holloway – My Fair Lady Edmond O’Brien – Seven Days in May Lee Tracy – The Best Man Peter Ustinov – Topkapi
Gladys Cooper – My Fair Lady Dame Edith Evans – The Chalk Garden Grayson Hall – The Night of the Iguana Lila Kedrova – Zorba the Greek Agnes Moorehead – Hush…Hush, Sweet Charlotte
Becket – Edward Anhalt Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb – Stanley Kubrick, Peter George, Terry Southern Mary Poppins – Bill Walsh, Don DaGradi My Fair Lady – Alan Jay Lerner Zorba the Greek– Michael Cacoyannis
“Chim Chim Cher-ee” – Mary Poppins – Music, Lyrics by Richard M. Sherman, Robert B. Sherman “Dear Heart” – Dear Heart – Music by Henry Mancini; Lyrics by Jay Livingston, Ray Evans “Hush…Hush, Sweet Charlotte” – Hush…Hush, Sweet Charlotte – Music by Frank DeVol; Lyrics by Mack David “My Kind Of Town” – Robin and the 7 Hoods – Music by James Van Heus...
Becket – Anne Coates Father Goose – Ted J. Kent Hush…Hush, Sweet Charlotte – Michael Luciano Mary Poppins – Cotton Warburton My Fair Lady– William Ziegler
The Americanization of Emily – Philip H. Lathrop Fate Is the Hunter – Milton Krasner Hush…Hush, Sweet Charlotte – Joseph Biroc The Night of the Iguana – Gabriel Figueroa Zorba the Greek– Walter Lassally
The 37th Academy Awards were held on April 5, 1965, to honor film achievements of 1964. The ceremony was produced by MGM 's Joe Pasternak and hosted, for the 14th time, by Bob Hope .
Best PictureBest DirectorMy Fair Lady – Jack L. Warner, producer ‡ ...George Cukor – My Fair Lady ‡ Peter ...Rex Harrison – My Fair Lady as Professor ...Julie Andrews – Mary Poppins as Mary ...Peter Ustinov – Topkapi as Arthur Simon ...Lila Kedrova – Zorba the Greek as Madame ...Father Goose – S. H. Barnett, Peter ...Becket – Edward Anhalt from Becket by ...- April 5, 1965
- Bob Hope
- My Fair Lady (8)
- Mary Poppins (13)
From 1939 to 1967 with the exception of 1957, there were also separate awards for color and black-and-white cinematography. After Who's Afraid of Virginia Woolf? (1966), the most recent black-and-white films to win since then are Schindler's List (1993), Roma (2018) and Mank (2020).
Apr 19, 2024 · 1964: Walter Lassally – Zorba the Greek (Black-and-White) Harry Stradling – My Fair Lady (Color) 1963: James Wong Howe – Hud (Black-and-White) Leon Shamroy – Cleopatra (Color) 1962: Jean Bourgoin and Wlater Wottitz – The Longest Day (Black-and-White) Freddie Young – Lawrence of Arabia (Color)
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Academy Awards. 37th →. The 36th Academy Awards, honoring the best in film for 1963, were held on April 13, 1964, hosted by Jack Lemmon at the Santa Monica Civic Auditorium in Santa Monica, California. This ceremony introduced the category for Best Sound Effects, with It's a Mad, Mad, Mad, Mad World being the first film to win the award.
In the 9th through 11th ceremonies (1936–38), a special award was given for color cinematography, and from the 12th to the 39th ceremonies (1939–66), except for the 30th ceremony (1957), separate Academy Awards were given for color and black-and-white cinematography. The winning cinematographers are given a gold-plated statuette known as an Oscar.
