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Art Direction (Color) - Art Direction: Boris Leven; Set Decoration: Walter M. Scott, John Sturtevant, William Kiernan Cinematography (Color) - Joseph MacDonald Film Editing - William Reynolds Music (Original Music Score) - Jerry Goldsmith Best Picture - Robert Wise, Producer
Apr 19, 2024 · Since 1931, the system changed to nominate each individual for a single film. From 1929 to 1967, there were separate awards for color and black-and-white cinematography. Floyd Crosby won the award for Tabu in 1931, the last silent film to win in this category. Hal Mohr won the only write-in Academy Award in 1935 for Cleopatra. Rachel Morrison ...
The 39th Academy Awards, honoring the best in film for 1966, were held on April 10, 1967, hosted by Bob Hope at the Santa Monica Civic Auditorium in Santa Monica, California . In a rare occurrence during the period with five Best Picture nominees, only two were nominated for Best Director this year: Fred Zinnemann for A Man for All Seasons (the ...
- April 10, 1967
- Bob Hope
- A Man for All Seasons (6)
- Who's Afraid of Virginia Woolf? (13)
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Hal Mohr won the only write-in Academy Award ever, in 1935 for A Midsummer Night's Dream. Mohr was also the first person to win for both black-and-white and color cinematography. No winners are lost, although some of the earliest nominees (and of the unofficial nominees of 1928–29) are lost, including The Devil Dancer (1927), The Magic Flame ...
In the 9th through 11th ceremonies (1936–38), a special award was given for color cinematography, and from the 12th to the 39th ceremonies (1939–66), except for the 30th ceremony (1957), separate Academy Awards were given for color and black-and-white cinematography.
- The Editors of Encyclopaedia Britannica
Bob Hope once again hosted, taking the reigns of the 39th Academy Awards on Monday, April 10th, 1967. He almost didn’t have a TV show to host. The American Federation of Radio-TV Artists ( AFTRA ) was on strike and the broadcast was almost canceled until the strike was settled just over two hours before the telecast began.
Art Direction (Color) - Art Direction: Richard Day, William Creber, David Hall; Set Decoration: Ray Moyer, Fred MacLean, Norman Rockett Cinematography (Color) - William C. Mellor, Loyal Griggs Costume Design (Color) - Vittorio Nino Novarese, Marjorie Best
