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  1. Music (Music Score of a Dramatic or Comedy Picture) - Frank Churchill, Edward Plumb Music (Song) - Love Is A Song in "Bambi" Music by Frank Churchill; Lyrics by Larry Morey Sound Recording - Walt Disney Studio Sound Department, Sam Slyfield, Sound Director

    • Academy Award for Music (Music Score of a Dramatic or Comedy Picture) 19431
    • Academy Award for Music (Music Score of a Dramatic or Comedy Picture) 19432
    • Academy Award for Music (Music Score of a Dramatic or Comedy Picture) 19433
    • Academy Award for Music (Music Score of a Dramatic or Comedy Picture) 19434
    • Academy Award for Music (Music Score of a Dramatic or Comedy Picture) 19435
  2. Music (Music Score of a Dramatic or Comedy Picture) - Aaron Copland Sound Recording - Samuel Goldwyn Studio Sound Department, Thomas T. Moulton, Sound Director Special Effects - Photographic Effects by Clarence Slifer, R. O. Binger; Sound Effects by Thomas T. Moulton

    • Academy Award for Music (Music Score of a Dramatic or Comedy Picture) 19431
    • Academy Award for Music (Music Score of a Dramatic or Comedy Picture) 19432
    • Academy Award for Music (Music Score of a Dramatic or Comedy Picture) 19433
    • Academy Award for Music (Music Score of a Dramatic or Comedy Picture) 19434
    • Academy Award for Music (Music Score of a Dramatic or Comedy Picture) 19435
    • Outstanding Motion Picture
    • Directing
    • Actor
    • Actress
    • Actor in A Supporting Role
    • Actress in A Supporting Role
    • Writing
    • Music
    • Film Editing
    • Cinematography

    Casablanca – Warner Bros. For Whom the Bell Tolls – Paramount Heaven Can Wait – 20th Century-Fox The Human Comedy – Metro-Goldwyn-Mayer In Which We Serve – Two Cities Madame Curie – Metro-Goldwyn-Mayer The More the Merrier – Columbia The Ox-Bow Incident – 20th Century-Fox The Song of Bernadette – 20th Century-Fox Watch on the Rhine– Warner Bros.

    Casablanca – Michael Curtiz Heaven Can Wait – Ernst Lubitsch The Human Comedy – Clarence Brown The More the Merrier – George Stevens The Song of Bernadette– Henry King

    Humphrey Bogart – Casablanca Gary Cooper – For Whom the Bell Tolls Paul Lukas – Watch on the Rhine Walter Pidgeon – Madame Curie Mickey Rooney – The Human Comedy

    Jean Arthur – The More the Merrier Ingrid Bergman – For Whom the Bell Tolls Joan Fontaine – The Constant Nymph Greer Garson – Madame Curie Jennifer Jones – The Song of Bernadette

    Charles Bickford – The Song of Bernadette Charles Coburn – The More the Merrier J. Carrol Naish – Sahara Claude Rains – Casablanca Akim Tamiroff – For Whom the Bell Tolls

    Gladys Cooper – The Song of Bernadette Paulette Goddard – So Proudly We Hail! Katina Paxinou – For Whom the Bell Tolls Anne Revere – The Song of Bernadette Lucile Watson – Watch on the Rhine

    Action in the North Atlantic – Guy Gilpatric Destination Tokyo – Steve Fisher The Human Comedy – William Saroyan The More the Merrier – Robert Russell, Frank Ross Shadow of a Doubt– Gordon McDonell

    “A Change Of Heart” – Hit Parade of 1943 – Music by Jule Styne; Lyrics by Harold Adamson “Happiness Is A Thing Called Joe” – Cabin in the Sky – Music by Harold Arlen; Lyrics by E. Y. Harburg “My Shining Hour” – The Sky’s the Limit – Music by Harold Arlen; Lyrics by Johnny Mercer “Saludos Amigos” – Saludos Amigos – Music by Charles Wolcott; Lyrics b...

    Air Force – George Amy Casablanca – Owen Marks Five Graves to Cairo – Doane Harrison For Whom the Bell Tolls – Sherman Todd, John Link The Song of Bernadette– Barbara McLean

    Air Force – James Wong Howe, Elmer Dyer, Charles Marshall Casablanca – Arthur Edeson Corvette K-225 – Tony Gaudio Five Graves to Cairo – John Seitz The Human Comedy – Harry Stradling Madame Curie – Joseph Ruttenberg The North Star – James Wong Howe Sahara – Rudolph Maté So Proudly We Hail! – Charles Lang The Song of Bernadette– Arthur Miller

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  4. The Academy Award for Best Original Score is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to the best substantial body of music in the form of dramatic underscoring written specifically for the film by the submitting composer. [1] Some pre-existing music is allowed, though, but a contending film must ...

    • February 27, 1935; 88 years ago
    • Alfred Newman (9)
    • Jacob Osborn
    • 1934: One Night of Love. - Composers: Louis Silvers, Victor Schertzinger, Gus Kahn. - Director: Victor Schertzinger. - IMDb user rating: 5.7. - Metascore: data not available.
    • 1935: The Informer. - Composer: Max Steiner. - Director: John Ford. - IMDb user rating: 7.5. - Metascore: data not available. - Runtime: 91 min. Austrian-born composer Max Steiner was a child prodigy who composed his first operetta by the age of 14, eventually making his way to Hollywood.
    • 1936: Anthony Adverse. - Composer: Erich Wolfgang Korngold. - Directors: Mervyn LeRoy, Michael Curtiz. - IMDb user rating: 6.3. - Metascore: data not available.
    • 1937: One Hundred Men and a Girl. - Composer: Charles Previn. - Director: Henry Koster. - IMDb user rating: 6.7. - Metascore: data not available. - Runtime: 84 min.
  5. * Music (Music Score of a Dramatic or Comedy Picture) - Hugo Friedhofer * Best Motion Picture - Samuel Goldwyn Productions * Special Award - Special Award * Writing (Screenplay) - Robert E. Sherwood Sound Recording - Samuel Goldwyn Studio Sound Department, Gordon Sawyer, Sound Director

  6. The 15th Academy Awards was held in the Cocoanut Grove at The Ambassador Hotel in Los Angeles on March 4, 1943, honoring the films of 1942. [1] The ceremony is most famous for the speech by Greer Garson; accepting the award for Best Actress, Garson spoke for nearly six minutes, considered to be the longest Oscars acceptance speech.