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Sound - Kevin O'Connell, Greg P. Russell, Peter J. Devlin Music (Original Song) - There You'll Be in "Pearl Harbor" Music and Lyric by Diane Warren * Sound Editing - George Watters II, Christopher Boyes
The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians.
Dec. 16, 2002 12 AM PT. Times Staff Writer. Kay Rose, the first woman to win an Academy Award for sound editing -- for her work on the 1984 film “The River” -- has died. She was 80. Rose...
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Memorable Moments. Halle Berry and Denzel Washington. Best Actress winner for Monster's Ball and Best Actor winner for Training Day. Ron Howard and Brian Grazer. Best Picture winners for A Beautiful Mind. Jim Broadbent and Jennifer Connelly. Supporting Actor winner for Iris and Supporting Actress... View More Memorable Moments.
- Mad Max: Fury Road (2015) How many different sounds can you identify in this scene? A more than deserved win for Gregg Rudloff, Chris Jenkins, and Ben Osmo.
- Dunkirk (2017) Dunkirk - Sound Mixing. Because war movies usually demand multiple sounds firing at the same time, the quality of the mixing is generally more noticed.
- Inception (2010) Inception - Oscar winner for Best Sound Mixing. The layered sounds of Inception are almost as complicated as the layered dream world in the film.
- The Matrix (1999) The Matrix - Bullet Dodge Sound Mixing. Sound team, John T. Reitz, Gregg Rudloff, David E. Campbell, and David Lee were the brains behind some of the best “bullet sounds” to ever hit Hollywood.
The nominees for the 74th Academy Awards were announced on February 12, 2002, at the Samuel Goldwyn Theater in Beverly Hills, California, by Frank Pierson, president of the academy, and the actress Marcia Gay Harden. [11] The Lord of the Rings: The Fellowship of the Ring earned the most nominations with thirteen.
Sound Effects Editing - Ben Burtt, Tom Bellfort Sound - Gary Rydstrom, Tom Johnson, Shawn Murphy, John Midgley Visual Effects - John Knoll, Dennis Muren, Scott Squires, Rob Coleman