Search results
Film Editing - Stephen Rivkin, John Refoua and James Cameron Music (Original Score) - James Horner Best Picture - James Cameron and Jon Landau, Producers Sound Editing - Christopher Boyes and Gwendolyn Yates Whittle
The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians.
- Mad Max: Fury Road (2016 Oscars) “Mad Max is a film we see with our ears” Above you can hear how sound editors, Mark Mangini and David White added so much richness and texture to the post apocalyptic world of Mad Max: Fury Road, for a well-deserved win.
- Arrival (2017 Oscars) The making of Heptapod communication. Sylvain Bellemare wins the Sound Editing Oscar for much more than alien noises. The sound team hiked up a mountain in New Zealand for three days just to record native New Zealand birds.
- Dunkirk (2018 Oscars) Oscar winning sound. Richard King is no amateur to sound design or being an Academy Award winner. Inception, The Dark Knight, and Master and Commander: The Far Side of the World, all won him an Oscar for Best Sound Editing.
- Inception (2011 Oscars) Oscar winner for Best Sound Editing. Listen to how Richard King and his sound team Lora Hirschberg, Gary Rizzo, and Ed Novick, work with Christopher Nolan to create a layered, dynamic soundscape, nearly as intricate as the story world itself.
People also ask
What is the Academy Award for Best Sound?
When did sound effects editing become a 'Best Sound' Award?
How many 'Best Sound Editing' awards have gone to the same film?
Why did the Oscars reduce the number of Oscars for sound?
Feb 21, 2022 · Why The Oscars' Sound Mixing And Editing Awards Were Merged Into 'Best Sound'. Amazon Studios. By Valerie Ettenhofer / Feb. 21, 2022 10:00 am EST. With a penchant for baffling nominees and counter ...
Apr 29, 2020 · So when the Academy Governors chose to reduce the number of Oscars awarded for sound by 50 percent, to one — combining Best Sound Editing and Mixing into a single category, Best Sound —...
- Chris O'falt
* Sound Editing - Richard King * Sound Mixing - Lora Hirschberg, Gary A. Rizzo and Ed Novick * Visual Effects - Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb Art Direction - Production Design: Guy Hendrix Dyas; Set Decoration: Larry Dias and Doug Mowat
Charles L. Campbell. D. Gordon Daniel. Dane Davis. E. Louis Edemann. Walter Elliott (sound editor) F. Stephen Hunter Flick. Glenn Freemantle. Eugene Gearty. Alex Gibson (sound editor) Chris Greenham. H. Cecelia Hall (sound editor) Per Hallberg. Nina Hartstone. Mike Hopkins (sound editor) Richard Hymns.
