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The 71st Academy Awards | 1999. Honoring movies released in 1998, Dorothy Chandler Pavilion ... * Sound Effects Editing - Gary Rydstrom, Richard Hymns
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The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians. The first were Murray Spivack and Jack Solomon for ...
Feb 21, 2022 · In the '80s and '90s, one of two sound awards was called Sound Effects Editing, a title that can be found in a copy of a 1999 Academy press release. The release demonstrates that even back then ...
The 71st Academy Awards | 1999. Dorothy Chandler Pavilion. Sunday, March 21, 1999. Honoring movies released in 1998. ... * Sound Effects Editing - Gary Rydstrom ...
Feb 5, 2014 · SOUND EFFECTS EDITING. Fight Club – Ren Klyce, Richard Hymns The Matrix – Dane A. Davis Star Wars Episode I: The Phantom Menace – Ben Burtt, Tom Bellfort. VISUAL EFFECTS. The Matrix – John Gaeta, Janek Sirrs, Steve Courtley, Jon Thum Star Wars Episode I: The Phantom Menace – John Knoll, Dennis Muren, Scott Squires, Rob Coleman
The Academy Award for Best Sound Editing is an Academy Award granted yearly to a film exhibiting the finest or most aesthetic sound editing or sound design. The award is usually received by the Supervising Sound Editors of the film, perhaps accompanied by the Sound Designers. The award was added in 1963 at the 36th Academy Awards. The Sound Branch of the Academy of Motion Picture Arts and ...