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  1. The 12th Academy Awards | 1940. Honoring movies released in 1939, Coconut Grove of the Ambassador Hotel ... Special Effects - A. Arnold Gillespie, Douglas Shearer

    • Academy Award for Special Effects 19401
    • Academy Award for Special Effects 19402
    • Academy Award for Special Effects 19403
    • Academy Award for Special Effects 19404
    • Academy Award for Special Effects 19405
  2. The 12th Academy Awards ceremony, held on February 29, 1940 by the Academy of Motion Picture Arts and Sciences (AMPAS), honored the best in film for 1939 at a banquet in the Coconut Grove at The Ambassador Hotel in Los Angeles. [1] It was hosted by Bob Hope, in his first of nineteen turns as host.

    • February 29, 1940
    • Gone with the Wind (13)
    • Gone with the Wind (8)
    • Bob Hope
  3. Dec 3, 2023 · Top Academy Award for Best Visual Effects. 5. The Lord of the Rings: The Two Towers (2002) The Lord of the Rings: The Two Towers VFX • Weta Digital. Peter Jackson's epic fantasy series showcased groundbreaking motion capture technology with the character Gollum, played by Andy Serkis.

  4. The 13th Academy Awards | 1941. Honoring movies released in 1940, Biltmore Bowl of the Biltmore Hotel ... Special Effects - Photographic Effects by A. Arnold ...

    • Academy Award for Special Effects 19401
    • Academy Award for Special Effects 19402
    • Academy Award for Special Effects 19403
    • Academy Award for Special Effects 19404
    • Academy Award for Special Effects 19405
  5. The following year, "Best Special Effects" became a recognized category, although on occasion the Academy has chosen to honor a single film outright rather than nominate two or more films. From 1939 to 1963, it was an award for a film's visual effects as well as audio effects, so it was often given to two persons, although some years only one ...

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  7. Jan 21, 2014 · The film won the Academy Award for Best Special Effects in 1940. Blue-screen separation process, employed for the first time in The Thief of Bagdad (1940). The technique that was most affected by the arrival of color was matte painting. In black-and-white the painter and the photographer only had to worry about matching the greyscale tones of ...

  8. (1940 - 1949) Oscar® and Academy Awards® and Oscar® design mark are the trademarks and service marks and the Oscar© statuette the copyrighted property, of the Academy of Motion Picture Arts and Sciences. This site is neither endorsed by nor affiliated with the Academy of Motion Picture Arts and Sciences.

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